The Young O'Briens: Being an Account of Their Sojourn in LondonWestrup, Margaret
General
The Young O'Briens: Being an Account of Their Sojourn in London
Westrup, Margaret
Family life -- Fiction; Irish -- England -- Fiction; London (England) -- Fiction
"I say," Cuthbert Pennington’s dark face was trying to look injured,
"they’ve made me go up first! Wish me luck! I’m a-trembling all over.
Shouldn’t wonder if I faint away in a swoond!"
His speech was good, bright, and vivacious, and sometimes humorous.
There was a good deal of applause at its finish.
Nell felt terribly excited. She glanced often at Denis, who looked gay
and debonnair enough.
The two next speeches were not so good; in both there was a stiffness of
phrase that made her put them aside with a metaphoric wave of her hand.
Then came the poetic Morley’s turn. He was inclined to be
grandiloquent, he brought in a great many poetical quotations, his
metaphors were inclined to run away with him; but he used fervid
gestures, he flung back his hair a good deal, and people seemed
enthusiastic.
Nell felt uneasy; she did not herself care for his speech, but she
recognised a good deal of merit in it.
Ted Lancaster was the next.
He rose and strolled slowly to the end of the room.
"Isn’t he at his ease!" laughed Gertrude.
Nell was conscious of a quick, uncharitable wish that his speech should
be bad—bad—that he should receive hardly any applause—that that
conceited ease of his should be ruffled—upset. He bowed to his
audience. A little hot spasm of shame went through her. Surely—surely
he was nervous! His face was quite white, and his eyes stared out
sombrely from beneath frowning brows.
"The Influence of Music on Mankind," he announced in his deep, quiet
voice. He paused, looked down, then straight out before him again.
"It is impossible," he began, "to exaggerate—" his eyes met Nell’s, he
stumbled, stopped—"to exaggerate—er—er—the important part that—that
music—that music—has played in the—er—history of the world—"
Nell was tingling all over with shame and pity; her cheeks burnt; she
bit her lip cruelly. She could see his hand, resting on the top of the
Grand piano beside him, shake; and then suddenly, abruptly, in the
middle of a sentence, he bowed and strolled back to his seat.
There was an uncomfortable little silence. A few people clapped feebly.
"Oh," whispered Gertrude in Nell’s ear, "_poor_ Ted! He must have been
nervous, after all!"
"You were rather ridiculously out in your opinion, weren’t you?"
retorted Nell, hotly.
"How could I know? He—"
Some one said, "Hush!" It was a red-cheeked boy with a twinkle in his
eye, but it stopped Gertrude. Nell forgot Ted then, for it was Denis’s
turn next. Head erect, he marched to his place. Nell’s hands locked
themselves together; she hardly breathed; but when he turned and bowed
she drew a sharp breath. Denis was nervous! He stood there, tall,
broad-shouldered, his head flung back. His blue eyes looked very dark;
his mouth was shut tightly. And he stood there, silent.
Public-domain text, read in full here on John Shaqi.
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