Boarding schools -- Fiction; England -- Fiction; Medical students -- Fiction
In the days of the casualty department Edwin’s main concern had been with
the alleviation of immediate pain. The problem of the wards was graver,
being no less than the balance of life and death. In the achievements of
L.M.’s scalpel, he saw the highest attainment of which surgery was
capable. In a hundred cases offhand he could say to himself that but for
Lloyd Moore’s skill the patient would have died, and when he saw the
fragile figure of the surgeon with his pale face and burning eyes enter
the theatre, Edwin would think of him as a man worn thin by wrestling
with death . . . death in its most cruel and invincible moods.
But in the theatre, at the time of one of L.M.’s emergency operations,
there was no time for dreaming or for romantic speculation. An
atmosphere of materialism, of pure, sublimated action, filled the room as
surely as the sweet fumes of chloroform and ether. Everything about the
place was clean and bright and hard, from the frosted-glass of the roof
and the porcelain walls to the shining instruments that lay newly
sterilised in trays on the glass-topped tables. Even the theatre sister
in her white overall gave an impression of clean, bright hardness.
Indeed, in this white temple of sterility, everything was clean except
those parts of the patient’s body that the nurses in the wards had not
scrubbed with nail-brushes and shaved and painted with iodine, and the
language of L.M., whose physical lustrations had no effect whatever on
his vocabulary.
Even L.M.’s language was at times a relief, for it seemed to be the only
human thing that ever gained admission to the theatre, and the sister was
so inhuman as never to take the least notice of it. Not a smile, nor
even the least compression of the lips marked her appreciation or
disapproval of the surgeon’s sallies. Physically she was an extremely
attractive woman, with very beautiful eyes that were not without their
effect upon Edwin; but the influence of the place robbed her of any
sexual attributes; so that she became no more than a monosyllabic
automaton, intent, devoted, faultlessly prepared for any of the desperate
emergencies of surgery. From the first Edwin had noticed that the more
embarrassing physical details of the patients had no disturbing effect
upon her modesty. He soon saw that if she had permitted herself for one
moment to be a woman she could not have remained the wholly admirable
theatre-sister that she was. “But I can’t imagine,” he thought, “how any
man could marry a nurse—”
Public-domain text, read in full here on John Shaqi.
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