The Young Pilgrim: A Tale Illustrative of "The Pilgrim's Progress"A. L. O. E.
Religion
The Young Pilgrim: A Tale Illustrative of "The Pilgrim's Progress"
A. L. O. E.
Children's stories; Christian life -- Juvenile fiction
The spirits of the young Lord Fontonore rose high, there was so much to
gratify and elate him. Never had he more admired his beautiful home,
or more rejoiced in the power to do good. Mr. Sligo had written an ode
to celebrate the day, in which flattery was so delicately mingled with
truth, that it could hardly fail to gratify and please.
One by one the company assembled, each with a kind wish or well-turned
compliment. Ernest was of course the hero of the day; and as everything
in the school-house was now prepared, the tide of silk and velvet,
feathers and lace, moved on towards the little edifice.
The school children lined the path on either side, in clean frocks, with
nosegays of wild-flowers in their hands, their ruddy little faces beaming
with pleasure at the thought of their expected feast. Passing between the
lines, with feelings of natural pleasure, perhaps not quite unmingled
with pride, Lord Fontonore, accompanied by his guests, proceeded to the
door, which he unlocked and threw open. In a few minutes the school-room
was filled. It had been decorated with a good deal of taste by the school
children under Mr. Sligo’s direction, and Charles had fastened two blue
banners above the entrance. There were books for school use judiciously
selected, maps on a large scale hung round the room; but every eye in
the gay assembly was at once directed to a large black board hung over
the fire-place. This was designed for the use of classes in arithmetic,
as sums or figures could be chalked upon it of a size to be seen by
the whole school. But it was neither sum nor diagram upon it now that
drew the attention of every one present, but a coarse sketch, evidently
chalked by an untutored hand, though not wanting in spirit or fun, of a
boy sitting astride on the top of a wall, with a gigantic peach in his
grasp; and as the picture might not be understood by all, beneath it was
written, in a round schoolboy hand, legible from the furthest end of the
room, “_The pious Lord Fontonore robbing Farmer Joyce_.”
Ernest was taken by surprise, when quite off his guard; insulted and
exposed in the very hour of his triumph, and he needed not the sight
of Jack’s insolent face at the door to tell him by whom. A few months
before, he would have struck the boy to the earth; now the feelings of
the Christian, perhaps the dignity of the noble, prevented any such
violent display of his anger; but he clinched his hand, and with an
expression of fierceness in his flashing eye, which no one present but
the offender himself had ever seen on his countenance before, Ernest
exclaimed in a voice of fury, “Insolent liar, this is your work!”
A scene of brief confusion ensued. Mr. Sligo sprang to the obnoxious
board, and in a few moments every trace of the sketch was removed; but
the impression which it had left on the spectators was not so readily
taken away.
“This comes of bringing up such a wolf’s cub!” exclaimed Mrs. Hope.
Public-domain text, read in full here on John Shaqi.
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