The Young Pilgrim: A Tale Illustrative of "The Pilgrim's Progress"A. L. O. E.
Religion
The Young Pilgrim: A Tale Illustrative of "The Pilgrim's Progress"
A. L. O. E.
Children's stories; Christian life -- Juvenile fiction
After dinner, Clementina was desired by her mother to go to the piano
and play. She made so many excuses, said that she was tired, nervous,
out of practice, that Ernest, little practised in the ways of Vanity
Fair, was inclined to beg that the young lady might be let off. Great
would have been her mortification had he done so, however—the girl was
only refusing in order to be pressed; the virtue of sincerity, if she
had ever possessed it, had all been frittered away by folly. She sat
down to the instrument, determined to be admired; for admiration to her
was as the very breath of life. She played what might be called a very
brilliant piece—full of shakes, dashes, and runs, but with no melody at
all. Ernest, though fond of music, thought it certainly not pretty, and,
had he been more at his ease, could hardly have helped laughing at the
affected air of the young performer, and the manner in which she threw
up her hands, and sometimes her eyes also, in the slower movements of
the piece. Every motion appeared to be studied: self was never for a
moment forgotten. When the performance, rather to Ernest’s relief, was
concluded, with a satisfied look the stately mother turned to the young
peer, and asked him if that was not a beautiful piece. “Rather,” replied
Ernest, after a little hesitation, as much vexed with himself for
saying so much as Clementina was at his saying so little. Charles, who
was standing near, could not avoid laughing; and Ernest read in the eyes
of Mrs. Hope her unexpressed thought—“I have no patience for this low,
ill-bred boor!”
With a secret feeling of constraint, mortification, and disappointment,
poor Ernest retired at night to his own room. Two maids were preparing
it as he entered, and he could not help overhearing the words of one of
them,—
“’Tis a pity that Master Charles was not the eldest son.”
“I’m sure that I think so!” Ernest exclaimed, aloud, to the no small
surprise of the girl who had uttered the observation.
CHAPTER XV.
CITIZENS OF VANITY FAIR.
There was another matter that weighed upon the mind of Ernest, and was
his first thought when he awoke in the morning. It was the request
which he was to make to his uncle concerning bringing Jack and Ben to
the castle. Mr. Ewart had declined making the request for him, and in
this Ernest thought his tutor for the first time unkind. But Ernest was
mistaken, as those usually are who judge others without entering into
their feelings or position. The truth was that Mr. Ewart very well knew
that no request made by him would be likely to be granted. He was almost
disliked by Mr. Hope, whose character presented a remarkable contrast to
his own, and who treated his nephews’ tutor with bare civility, though as
well born and better educated than himself.
Mr. Hope was what is called a man of the world—one who made business
his sole ambition; his worldliness, his pride, were in the sight of the
Eternal but—vanity!
Public-domain text, read in full here on John Shaqi.
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