The Young Trailers: A Story of Early KentuckyAltsheler, Joseph A. (Joseph Alexander)
History
The Young Trailers: A Story of Early Kentucky
Altsheler, Joseph A. (Joseph Alexander)
Kentucky -- History -- To 1792 -- Juvenile fiction
Henry Ware fired with deadly aim and reloaded with astonishing speed.
Paul Cotter, by his side, was as steady as a rock, now that the suspense
was over, and the battle upon them. The schoolmaster resting on one
elbow was firing across his log.
But it is not Indian tactics to charge home, unless the enemy is
frightened into flight by the war whoop and the first rush. The men of
Wareville and Marlowe did not run, but stood fast, sending the bullets
straight to the mark; and suddenly the Shawnees dropped down among the
trees and undergrowth, their bodies hidden, and began to creep forward,
firing like sharpshooters. It was now a test of skill, of eyesight, of
hearing and of aim.
The forest on either side was filled with creeping forms, white or red,
men with burning eyes seeking to slay each other, meeting in strife more
terrible than that of foes who encounter each other in open conflict.
There was something snakelike in their deadly creeping, only the moving
grass to tell where they passed and sometimes where both white and red
died, locked fast in the grip of one another. Everywhere it was a
combat, confused, dreadful, man to man, and with no shouting now, only
the crack of the rifle shot, the whiz of the tomahawk, the thud of the
knife, and choked cries.
Like breeds like, and the white men came down to the level of the red.
Knowing that they would receive no quarter they gave none. The white
face expressed all the cunning, and all the deadly animosity of the red.
Led by Henry Ware, Ross and Sol they practiced every device of forest
warfare known to the Shawnees, and their line, which extended across the
valley from hill to hill, spurted death from tree, bush, and rock.
To Paul Cotter it was all a nightmare, a foul dream, unreal. He obeyed
his comrade's injunctions, he lay close to the earth, and he did not
fire until he could draw a bead on a bare breast, but the work became
mechanical with him. He was a high-strung lad of delicate sensibilities.
There was in his temperament something of the poet and the artist, and
nothing of the soldier who fights for the sake of mere fighting. The
wilderness appealed to him, because of its glory, but the savage
appealed to him not at all. In Henry's bosom there was respect for his
red foes from whom he had learned so many useful lessons, and his heart
beat faster with the thrill of strenuous conflict, but Paul was anxious
for the end of it all. The sight of dead faces near him, not the lack of
courage, more than once made him faint and dizzy.
Public-domain text, read in full here on John Shaqi.
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