The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
The brown earth’s my book, and I ride forth to read it.
Good-bye!
The stream runneth fast, but my will shall outspeed it.
Good-bye!
I love thee, dear lass, but I hate the hag Sorrow.
As sun follows rain, and to-night has its morrow,
So I’ll taste of joy, though I steal, beg, or borrow!
Good-bye!
This is as admirable a bit of nonchalance as Wither’s,
Shall I, wasting in despair,
Die because a woman’s fair?
or Suckling’s,
Why so pale and wan, fond lover,
Prithee, why so pale?
with its salient advice to the languishing adorer.
Miss Brown’s small volume is by no means lacking in variety, either in
theme or form; it is full of spontaneous music, rarely forcing the
note in any lyric inspiration. In the sonnet she is less at ease: here
one feels the effort, the mechanism; but only four sonnets are
included in the volume, which shows her to be a true critic. There are
certain poems that might, perhaps, with equal advantage have been
eliminated, such as the over-musical numbers to Dian and Endymion; but
in the main, Miss Brown has done her own blue-pencilling, and _The
Road to Castaly_, as stated in the beginning, maintains a fine and
even grade of workmanship.
In such poems as are touched to tenderness and reverence, half with
the sweetness and half with the pain of life, Miss Brown makes her
truest appeal. The fine ideality, the spiritual fealty of her nature,
as shown in her work, always relates itself to one on the human side.
It is not the fealty that shames a weaker nature by its rigid
steadfastness, but that in which one sees his own wavering strife
reflected. Her lines called “The Artisan,”[2] written since the
publication of her volume, are instinct with such feeling as comment
would profane. One can but feel, with a quick pang of sympathy, that
he, too, makes the appeal:
O God, my master God, look down and see
If I am making what Thou wouldst of me.
Fain might I lift my hands up in the air
From the defiant passion of my prayer;
Yet here they grope on this cold altar stone,
Graving the words I think I should make known.
Mine eyes are Thine. Yea, let me not forget,
Lest with unstaunchèd tears I leave them wet,
Dimming their faithful power, till they not see
Some small, plain task that might be done for Thee.
My feet, that ache for paths of flowery bloom,
Halt steadfast in the straitness of this room.
Though they may never be on errands sent,
Here shall they stay, and wait Thy full content.
And my poor heart, that doth so crave for peace,
Shall beat until Thou bid its beating cease.
So, Thou dear master God, look down and see
Whether I do Thy bidding heedfully.
Public-domain text, read in full here on John Shaqi.
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