The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
There is a penetrative insight, that of the social economist, for
example, that may possess no ray of sympathetic divination. It may
probe to the heart of a condition, correlate causes and tendencies and
divine effects, all from a scientific motive as professional as the
practice of law, and as keen and cold. One may even be an avowed
philanthropist and never come in sight of a human soul, as will the
poet who looks upon the individual not as a case to be classified and
tabulated, but as one walking step to step with him, though more
heavily, whom he may reach out and touch now and then with the
quickening hand of sympathy, and whose load he may bear bewhiles on
the journey.
Such a poet is Mr. Burton, whose nature is shapen to one image with
his fellows. To him literature is not an entity to be weighed only in
the scales of beauty by the balances of Flaubert; it is to-day’s and
to-morrow’s speech. In his prose, especially, this directness is
marked; but in his poems one feels rather the inner relation with
their spirit, for the magnetism of touch is less communicative than in
the more flexible medium of prose. What is communicative, however, is
the feeling that Mr. Burton is living at the heart of things where the
fusion is taking place that makes us one. _Lyrics of Brotherhood_ is a
genuine clasp of hand to hand, nor is he dismayed by the grime of the
hand, for the primal unities are primal sanctities to him. Longing,
strife, defeat, achievement, are all interpreted to him of personal
emotion, solvent in personal sympathy.
_Lyrics of Brotherhood_ opens with a poem that redeems from odium one
opprobrious symbol as old as time. It is that catch-penny epithet,
“black sheep,” that we bandy about with such flippancy, tossing it as
loose change in a character appraisal and little recking what
truth-valuation may lie behind it. It is good to feel that the impulse
to redeem this symbol came to Mr. Burton and wrought so well within
him, for “Black Sheep” is one of his truest inspirations in feeling
and expression:
From their folded mates they wander far,
Their ways seem harsh and wild;
They follow the beck of a baleful star,
Their paths are dream-beguiled.
Yet haply they sought but a wider range,
Some loftier mountain-slope,
And little recked of the country strange
Beyond the gates of hope.
And haply a bell with a luring call
Summoned their feet to tread
Midst the cruel rocks, where the deep pitfall
And the lurking snare are spread.
Maybe, in spite of their tameless days
Of outcast liberty,
They’re sick at heart for the homely ways
Where their gathered brothers be.
And oft at night, when the plains fall dark
And the hills loom large and dim,
For the Shepherd’s voice they mutely hark,
And their souls go out to him.
Meanwhile, “Black sheep! Black sheep!” we cry,
Safe in the inner fold;
And maybe they hear, and wonder why,
And marvel, out in the cold.
Public-domain text, read in full here on John Shaqi.
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