The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
The Source! Can it be true? Oh, may it not be?
May it not at last await me in that garden
To which we bleed our way through all this waste?—
One cup—some little chalice that will hold
One drop that will not shudder into mist
Till I have drained it.
Passages of this sort might be duplicated in _El Dorado_, were they
not too long to quote with the context necessary to them.
The passage cited above holds a deep suggestion in the lines:—
One drop that will not shudder into mist
Till I have drained it.
Here is human longing epitomized; and again the words in which
Coronado speaks, as he thinks, to the shade of Beatrix,—
No, I will no more strive to anything
And so dispel it,—
are subtly typical of the fear in all joy, the trembling dread to
grasp, lest it elude us. That, too, is a fine passage in which
Coronado replies to Perth, who seeks to cheer him with thought of the
Water of all Dreams:
Ah, that poor phantom Source! I never sought it.
I have found the thing called Youth too deadly bitter
To grasp at further tasting.
“The thing called Youth” is often “deadly bitter;” and Mr. Torrence
has well suggested it in the revulsion from hope to despair which
follows upon the knowledge that El Dorado is but a land of Dead-Sea
fruit. The atmosphere with which Mr. Torrence has invested the scene
where all are waiting for the dawn to lift and reveal the valley of
their desire is charged with mystery and portent; one becomes a tense,
breathless member of the group upon the cliff, and not a spectator.
Mr. Torrence is occasionally led into temptation, artistically
speaking, by the seduction of his imagination, and is carried a bit
beyond the point of discretion, as in this passage taken from the
scene where the expedition awaits the dawn on the morning when its
dream is expected to be realized. Perth and Coronado are looking to
the mist to lift. Perth speaks:
And now in that far edge, as though a seed
Were sown, there is a hint of budding gray,
A bud not wholly innocent of night,
And yet a color.
COR. But see, it dies!
PERTH. Yet now it blooms again,
Whiter, and with a rumor of hidden trumpets.
Buds in the common day do not usually bloom with a “rumor of hidden
trumpets.” In the same scene Coronado asks:
Can you not see
The gem which is the mother of all dawn?
PERTH. There is some gleam.
COR. It waits one moment yet
Before it thunders upon our blinded sight!
Public-domain text, read in full here on John Shaqi.
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