The Younger American PoetsRittenhouse, Jessie Belle
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The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
COR. No, it is snow and wine.
BEAT. He wanders!
PERTH. I had not thought to find it so at last,
Yet here, and here alone, it has arisen
Within these two—my only youth! Yes—now!
Upon this hour and place at last! The Source!
It is a barren place—yet flowers are here,
Those which for certain days I seemed to lose;
A desolate tender fatherhood has here
Found growth, and bears, but all too piteously,
A futile bud.
The impression left upon one by _El Dorado_ is that of poetic
distinction, and the drama in its character drawing, plot and action
is an augury of finer possibilities in the same branch of art.
XVII
GERTRUDE HALL
MISS GERTRUDE HALL is a poet of the intimate mood, the personal touch,
one who writes for herself primarily, and not for others. One fancies
that verses such as these were penned in musing, introspective moments
in the form in which they flitted through the mind, and were
indesecrate of further touch. They are as words warm upon the lips,
putting one in magnetic _rapport_ with a speaker; and their defects,
as well as distinctions, are such as spring from this spontaneity.
Frequently a change of word or line, readily suggested to the reader,
would have made technically perfect what now bears a flaw; but these
lapses are neither so marked nor so frequent as to detract from the
prevailing grace of the verse, and but serve to illustrate the point
in question,—their unpremeditated note and freedom from posing.
One is not so much arrested by the inevitable image and word in these
lyrics of the _Age of Fairygold_, as by the feeling, the mood, that
pervades them. It is not a buoyant mood, nor yet a sombre one, but
rather the expression of a varied impulse, a melody of many stops,
such as one might play for himself at evening, wandering from theme to
theme. The poems convey the impression of coming in touch with a
personality rather than a book, the veil between the author and reader
being impalpable; and this, their most obvious distinction, is a
quality in which many poets of the present day are lacking, either
from a mistaken delicacy in regarding their own inner life as an
isolated mood not of import to others, or in robbing it of personality
and warmth by technical elaboration.
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