All day the primroses have thought of thee, Their golden heads close-haremed from the heat; All day the mystic moonflowers silkenly Veiled snowy faces,—that no bee might greet Or butterfly that, weighed with pollen, passed;— Keeping Sultana charms for thee, at last, Their lord, who comest to salute each sweet. Cool-throated flowers that avoid the day’s Too fervid kisses; every bud that drinks The tipsy dew and to the starlight plays Nocturnes of fragrance, thy winged shadow links In bonds of secret brotherhood and faith; O bearer of their order’s shibboleth, Like some pale symbol fluttering o’er these pinks. The final line of this stanza has a certain thinness, and in that above, the ending which turns “sweet” to a noun is too evidently a matter of expediency; but with these exceptions the stanzas are charming, as are the unquoted ones following them. Before turning to other phases of Mr. Cawein’s work, here is a glimpse of the “Tree Toad,” pictured with quaint delicacy and fancy: Secluded, solitary on some underbough, Or cradled in a leaf, ’mid glimmering light, Like Puck thou crouchest: haply watching how The slow toad stool comes bulging, moony white, Through loosening loam; or how, against the night, The glow-worm gathers silver to endow The darkness with; or how the dew conspires To hang at dusk with lamps of chilly fires Each blade that shrivels now. * * * * * Minstrel of moisture! silent when high noon Shows her tanned face among the thirsting clover And parching meadows, thy tenebrious tune Wakes with the dew or when the rain is over. Thou troubadour of wetness and damp lover Of all cool things! admitted comrade boon Of twilight’s hush, and little intimate Of eve’s first fluttering star and delicate Round rim of rainy moon! Art trumpeter of Dwarfland? does thy horn Inform the gnomes and goblins of the hour When they may gambol under haw and thorn, Straddling each winking web and twinkling flower? Or bell-ringer of Elfland? whose tall tower The liriodendron is? from whence is borne The elfin music of thy bell’s deep bass To summon fairies to their starlit maze, To summon them or warn. What a happy bit of realism is that of the toadstool “bulging, moony white, through loosening loam”! The second of the stanzas may be too Keats-like in atmosphere to have been achieved with unconsciousness of the fact, be that as it may, it is a bit of sheer beauty, as the last is of dainty fancy.