Old homes among the hills! I love their gardens, Their old rock-fences, that our day inherits; Their doors, ’round which the great trees stand like wardens; Their paths, down which the shadows march like spirits; Broad doors and paths that reach bird-haunted gardens. I see them gray among their ancient acres, Severe of front, their gables lichen-sprinkled,— Like gentle-hearted, solitary Quakers, Grave and religious, with kind faces wrinkled,— Serene among their memory-hallowed acres. Their gardens, banked with roses and with lilies— Those sweet aristocrats of all the flowers— Where Springtime mints her gold in daffodillies, And Autumn coins her marigolds in showers, And all the hours are toilless as the lilies. * * * * * Old homes! old hearts! Upon my soul forever Their peace and gladness lie like tears and laughter; Like love they touch me, through the years that sever, With simple faith; like friendship, draw me after The dreamy patience that is theirs forever. Mr. Cawein blends the mood and the picture in the simple tenderness of these lines, with their unstriving felicity. Kentucky’s more strenuous side also finds a chronicler in his verse: the tragedies of its mountains are told in one of the earlier volumes in such poems as “The Moonshiner,” “The Raid,” and “Dead Man’s Run;” and in _Weeds by the Wall_, in that graphic poem “Feud,” sketching with the pencil of a realist the road to the spot … where all the land Seems burdened with some curse, and where, sunk in obliterative growth of briers, burrs, and ragweed, stands the … huddled house Where men have murdered men, and where a terrified silence still broods, for The place seems thinking of that time of fear And dares not breathe a sound. Mr. Howells, in an appreciation of Mr. Cawein’s work, after the appearance of _Weeds by the Wall_, spoke of this poem declaring that “What makes one think he will go far and long, and outlive both praise and blame, is the blending of a sense of the Kentucky civilization in such a poem as ‘Feud.’ Civilization may not be quite the word for the condition of things suggested here, but there can be no doubt of the dramatic and the graphic power that suggests it, and that imparts a personal sense of the tragic squalor, the sultry drouth, the forlorn wickedness of it all.” His poem “Ku Klux,” in a volume published some time ago, is no less dramatic in touch and theme. Mr. Cawein knows how to set his picture; the ominous portent of the night in which the dark deed is done would be understood from these three lines alone: The clouds blow heavy towards the moon. The edge of the storm will reach it soon. The kildee cries and the lonesome loon.