The Younger American PoetsRittenhouse, Jessie Belle
History
The Younger American Poets
Rittenhouse, Jessie Belle
American poetry -- History and criticism; Poets, American
If, then, Kipling, who outmoderns the moderns in singing what is
presumably a song fit for men, and if Whitman, who is as robustly,
democratically American as a poet can well be, and trumpeting ever
that note,—if these poets do not reach the typical man, if they are
not the ones to whom the stalwart laborer comes, or the busy man of
affairs, there must be a need anterior to that of which they sing;
song must spell something else besides virility, democracy,
achievement. It evidently is not the men who _do_, not the men who
_act_, that write “the song of fact” for the laborer and the great
class of our strong, sincere, common folk. They do not want the song
of fact more than do we; they have no other dream to trace than have
we. They want the primal things,—love, hope, beauty, the transforming
ideal; they want the carbon of their daily experience turned to the
crystal; and for this they go to a poet like Burns, who spoke the
universal tongue, who took the common ideals and touched them simply,
tenderly, not strenuously, to a new form at the will of his fancy. You
shall find the boatman or the woodsman knowing his Burns, often his
Shakespeare, for he is quick to grasp the human element, or his Scott,
for he loves romance, when the strident cry of a Kipling, or of a
modern idealist singing of democracy, or of the newer needs of the
laborer himself, will be wholly lost on him; and hence this note
that one is meeting so often in the recent poets seems to me to be a
false and superfluous one.
The “song that is fit for men” is _any_ song that has the essence of
truth and beauty in it, and no other _is_ fit for men, no matter where
sung. We have not evolved a new _genus homo_ by our conquest of arms;
our democracy is not changing human nature; we need virility in song,
as Mr. Knowles has said in the earlier poem quoted; we need that
“cosmic stuff whence primitive feeling glows,” but we need beauty and
spirituality to shape it. Poetry must minister first of all to the
inner life. Tennyson and Browning were not concerned with matters of
empire, or the passing issues of the day; they were occupied with the
essential things,—things of humanity and of the soul, that shall
outlast empire, democracy, or time. Heaven forefend that our bards
shall spring from a race
Unkempt, athletic, rude,
Rough as the prairies, tameless as the sea,
Public-domain text, read in full here on John Shaqi.
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