Although Ta-hui was a strong advocate of the koan, he was staunchly
against its being used in a literary sense. Whenever a student starts
analyzing koans intellectually, comparing one against another, trying
to understand rationally how they affect his nonrational intelligence,
he misses the whole point. The only way it can work is if it is fresh.
Only then does it elicit a response from our spontaneous intelligence,
our intuitive mind.
But the Sung trend toward intellectualism was almost irresistible. The
prestige of the Chinese "gentleman"--who could quote the ancient poets,
compose verse himself, and analyze enlightenment--was the great nemesis
of Ch'an.
_Gentlemen of affairs who study the path often understand rationally
without getting to the reality. Without discussion and thought they are
at a loss, with no place to put their hands and feet--they won't believe
that where there is no place to put one's hands and feet is really a
good situation. They just want to get there in their minds by thinking
and in their mouths to understand by talking--they scarcely realize
they've already gone wrong.21
_
Equally bad was the Ch'an student who memorized koans rather than
trying to understand them intuitively.
_A gentleman reads widely in many books basically in order to augment
his innate knowledge. Instead, you have taken to memorizing the words
of the ancients, accumulating them in
your breast, making this your task, depending on them for something to
take hold of in conversation. You are far from knowing the intent of
the sages in expounding the teachings. This is what is called counting
the treasure of others all day long without having half a cent of your
own.22
_Ta-hui rightly recognized in such scholarship an impending destruction
of Ch'an's innate vigor. At one point, in desperation, he even
destroyed the original printing blocks for the best-known koan
collection of the time, the _Blue Cliff Record _compiled by his master,
Yuan-wu.23 But the trend continued nonetheless.
Public-domain text, read in full here on John Shaqi.
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