The Zeppelin's PassengerOppenheim, E. Phillips (Edward Phillips)
General
The Zeppelin's Passenger
Oppenheim, E. Phillips (Edward Phillips)
Historical fiction; World War, 1914-1918 -- Fiction
“Sometimes it is more,” was the prompt reply. “Sometimes love, for a
woman, means only shelter; often, for a man, love means the blending of
all knowledge, of all beauty, all ambition, of all that he has learned
from books and from life. Sometimes a man can see no further and needs
to look no further.”
Philippa suddenly felt that she was in danger. There was something in
her heart of which she had never before been conscious, some music, some
strange turn of sentiment in Lessingham's voice or the words themselves.
It was madness, she told herself breathlessly. She was in love with
her husband, if any one. She could not have lost all feeling for him so
soon. She clasped her hands tightly. Lessingham seemed conscious of his
advantage, and leaned towards her.
“If I were not offering you my whole life,” he pleaded, “believe me, I
would not open my lips. If I were thinking of episodes, I would throw
myself into the sea before I asked you to give me even your fingers. But
you, and you alone, could fill the place in my life which I have always
prayed might be filled, not for a year or even a decade of years, but
for eternity.”
“Oh, but you forget!” she faltered.
“I remember so much,” he replied, “that I know it is hard for you to
speak. There are bonds which you have made sacred, and your
fingers shrink from tearing them asunder. If it were not for this,
Philippa--hear the speech of a renegade--my mandate should be torn in
pieces. My instructions should flutter into the waste-paper basket,
To-morrow should see us on our way to a new country and a new life. But
you must be very sure indeed.”
“Is it because of me that you are staying here?” she asked.
“Upon my honour, no,” he assured her. “I must stay here a little longer,
whatever it may mean for me. And so I am content to remain what I am to
you at this minute. I ask from you only that you remain just what you
are. But when the moment of my freedom comes, when my task here is
finished and I turn to go, then I must come to you.”
She rose suddenly to her feet, crossed the floor, and threw open the
window. The breeze swept through the room, flapping the curtains,
blowing about loose articles into a strange confusion. She stood there
for several moments, as though in search of some respite from the
emotional atmosphere upon which she had turned her back. When she
finally closed the window, her hair was in little strands about her
face. Her eyes were soft and her lips quivering.
“You make me feel,” she said, taking his hand for a moment and looking
at him almost piteously, “you make me feel everything except one thing.”
“Except one thing?” he repeated.
Public-domain text, read in full here on John Shaqi.
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