In the Armadillo these foramina do not exist: in the Orycterope they are present, but open beneath an overhanging ridge, which is continued from them to the upper part of the anterior condyloid foramen on each side. The sella turcica of the Orycterope is deeper and narrower than in the Scelidothere; and is separated from the basilar occipital process by a transverse ridge, which sends forward two short clinoid processes; two smaller anterior clinoid processes project backwards from the angle of the anterior boundary of the sella turcica. The foramina ovalia and rotunda open in the same continuous groove, as in the Glossothere and Scelidothere, but they are relatively wider apart; and the canal for the third division of the fifth pair is shorter, and runs more directly outwards. The petrous bone in the Scelidothere is relatively larger than in the Glossothere, but this probably arises from the precocious development of the organ of hearing in the present immature specimen in obedience to the general law. The trunk of the fifth pair of nerves does not impress it with so deep and well defined a groove as in the Glossothere; the elliptic internal auditory foramen (_k_) is situated about the middle of the posterior surface; behind this is the aqueductus vestibuli; and immediately posterior to the petrous bone is the foramen jugulare (_l_): the shape of the os petrosum agrees more with that of the Armadillo than with that of the Orycterope. An accidental fracture of the right os petrosum demonstrates its usual dense and brittle texture, and at the same time has exposed the cochlea with part of its delicate and beautiful lamina spiralis. The conservation of parts of the organs of vision in certain fossils, has given rise to arguments which prove that the laws of light were the same at remote epochs of the earth’s history as now; and the structures I have just mentioned, in like manner, demonstrate that the laws of acoustics have not changed, and that the extinct giants of a former race of quadrupeds were endowed with the same exquisite mechanism for appreciating the vibrations of sound as their existing congeners enjoy at the present day.