Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Harry was with his friend now, and both became almost livid in the face
and were evidently taken back by the inquiry.
"N-no; w-what is he?" stammered out Harry.
"I believe he's manager of a theatrical company."
"Harry" had somewhat regained his mental equilibrium by this time, and
answered positively: "Don't know him; never heard of him."
"Have you seen any man around in the past half hour? Russell made an
engagement to meet me here."
"I haven't been here but about ten minutes," and away "Harry" and his
friend sailed.
The detective and myself had been watching the pseudo manager for over
two hours from a room across the street, and, of course, knew there was
no truth in the measure he placed upon the time he was watching and
waiting for victims that never came. He was not a theatrical man, but
some dirty scamp.
Some time ago an advertisement of the same character as the "Personal"
quoted above, appeared in the Chicago papers, and many young ladies,
anxious to adopt the stage as a profession, applied for positions. They
obtained admission to the _quasi_ manager, who, when no resistance
was made by the applicants, shipped them to Texas and other Southern
points, where they found themselves perhaps penniless in the midst
of a life of uncertainties, into which they had been duped and to
which they had been sold. Many of these had been, and would still be,
respectable young girls and ornaments to their respective home circles,
were it not for the serpent with the fascinating eyes that peeped
out at them from under the three or four lines in the advertising
columns of that Chicago paper. Discoveries of the same kind were made
in several cities of the East, and it is dreadful to contemplate the
havoc which must have been wrought by this means, for surely many of
the hundreds of really good girls, who are always sure to answer such
an advertisement in the innocent belief that it may be the means of
making Neilsons, Cushmans, Morrises or some other equally firmamentary
individual in the galaxy of the stage of them, and who refused to be
debauched, were sorely disappointed in the result of their apparent
good fortune in obtaining the recognition of the "manager."
The following letter from a band of stage-struck young men of color is
an extraordinary document, and may be taken as a sample of the letters
received every day by theatrical managers:--
Public-domain text, read in full here on John Shaqi.
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