Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
There is also a humorous side to this "mashing" business. Men and
boys who run after actresses generally get themselves into trouble,
particularly is this the case with old men--men old enough to be
thinking of the designs for their tombstones instead of running
around variety theatres hugging girls and lavishing champagne and
beer upon them. An old sinner of this stamp got into trouble in a New
York theatre one day. He made himself conspicuous and obnoxious at a
rehearsal by stumbling over the stage and getting in everybody's way.
The supes cursed him and the stage carpenter called down anathemas on
his aged head, but the old fellow was indifferent, for he was basking
in the smiles of a well-known soubrette and was happy. Finally he
posed in the centre of the stage just as an "interior" was to be
set. The scene shifters saw he was in a good position to be squeezed,
and they quietly shoved the scenes together. The lover, intent on his
inamorata, discovered his predicament only when caught, but the scene
shifters were deaf to his cries, and he was held a prisoner. He was
only released on swearing never again to poke his nose inside the
stage-door, and furnishing enough to treat the boys. When at last he
was free, he made hasty tracks for the exit, and was heard to mutter as
he went out, he'd be d--d if he wanted to be squeezed again, even by
his charming soubrette.
The bald-headed men, though, get it worse than anybody else, and
particularly so when their bald heads are hidden under wigs. A monkey
had a part to play in a piece running at one of the metropolitan
variety theatres. There was a pretty burlesque actress playing there
at the same time and she had a host of admirers with more money than
brains. Among the number was an addle-pated old rascal, who preferred
the society of the "artiste" to that of his aged wife, who had lost
the charms which enraptured his fancy when he led her years ago as
a blushing bride to the altar. One evening the fellow bribed the
door-keeper at the stage entrance to admit him to that realm of dirt,
paint, and faded tinsel "behind the scenes," and he stationed himself
in the wings in order to welcome his charmer when she retired amid the
plaudits of the audience. But alas, the "best laid plans of mice and
men gang aft aglee." The monkey espied him, and at once fell in love
with the glossy wig which covered the bald head. Swinging itself down
from the flies the monkey made a swoop with its long arm and the masher
was scalped. He cried lustily, but the monkey made off with its trophy
and the masher sloped with a handkerchief tied over his head.
[Illustration: AMBLELEG.
_See_ p. 296.]
Public-domain text, read in full here on John Shaqi.
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