Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
The Saturday matinee young man,
The five-cent-cigar young man,
The sweetly susceptible, somewhat disrep'table,
Gaze-and-admire-me young man.
And so it goes on every night. Music and "mashing" so charmingly
dovetail themselves to the entertainment that there is as much
amusement in looking up one as in listening to the other.
CHAPTER XX.
THE MAIDEN AND THE TENOR.
Mr. Troubadour Ambleleg was a tenor. He waved his light voice for a
light salary in the chorus of an unexpensive opera company that made
the summer months of 1881 and the opera air of the West End of St.
Louis melodious to a sometimes quite harassing degree. His soul was as
full of art as his throat was of music. He doted upon the beautiful
wherever he came in contact with it, and frequently, when he heard of
beauty lying around in languid looseness in any direction, he went
out of his way to find it. It was in this manner he became acquainted
with Miss Silica Justaytine. She was the belle of an upperly upper
circle, a glowing, brown-eyed maiden, with sun-kissed hair, and the
sweetest smiles that ever played in Polar-light style over the ruffs
and ruchings of an expensive toilet. Indeed, an aurora borealis of
glinting good nature shone upon the horizon of her lips, and a single
glance of her eye was worth more to a man in love than the advent of a
sprinkling cart to a traveller perishing of thirst on a dry and burning
desert. When Mr. Ambleleg saw Miss Justaytine, that pink of beauty and
perfection of belleship, gracing a front bench, where the susceptible
tenor was nightly airing his voice at a salary of ten dollars a week,
their eyes met and their loves at once intertwined. Like Tecetl,
the daughter of Montezuma, who found in the yellow-haired warrior,
Alvarado, the lover she had dreamt of long before the prow of the
"fair god's" vessel touched the shores of Mexico, the super-æsthetical
maiden of my story saw in the chorus singer the affinity for which
she had long looked and sighed. Mr. Ambleleg, too, at once became
aware that in Miss Justaytine he had met his fate. They smiled, and
sighed, and ogled, and encouraged each other across the foot-lights.
The chorus singer forgot all the other maiden beauty that flourished
under the foliage, and there were crushed and trampled hearts lying in
the chasm across which Ambleleg and Miss Justaytine exchanged their
affections. But Ambleleg did not mind it. He had learned that Miss
Justaytine was the queen of her circle, and he determined to share her
crown with her. Now, Ambleleg was not wealthy; neither was he rich in
prepossessing features. His teeth were freckled, his mouth was big,
his forehead small, his eyes expressionless, his hair of a buttery
yellow, his moustache vapid, his shirt calico, and usually required
to do long service without washing, while his general appearance was
not extravagantly pleasant, and certainly not over-abundant in that
Public-domain text, read in full here on John Shaqi.
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