Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
There are very many side-shows to attract the pleasure-seeker, all of
them being within the compass of the humblest, the charge being from
one-half cent to one and one-half cents. In these places are witnessed
juggling tricks of real merit, and top-spinning that is a bewilderment
to the looker-on. Tops of all sizes are spun with the aid of a string,
and made to revolve by the action of the hands only. An expert will
throw his top from him, and by the action of the string as it unwinds
draw it back so that it is caught in his hand--of course, without it
having touched the ground. An unopened fan is then taken in the other
hand, and the top is placed upon one of its sides and spun along it.
Then the fan is opened, and the top continues to spin along its edge
to its farther side, and along it until the hand is reached, when up
it runs on the arm to the shoulder, and across the back and down the
other arm, on to the fan again. Then it will be tossed into the air
and caught upon one of the corners of the opened fan, from which it
is tossed again and again into the air and caught as it descends. It
is wonderful the way they can manipulate a top. I have seen them take
a large-sized one, having a spindle by which it was made to rotate,
and by simply placing the spindle between the palms of the hands, and
drawing one hand back while advancing the other a number of times it
attained sufficient velocity, when it was taken from the table on which
it was spinning and a turn taken around the spindle with a string that
was pendant from a paper lantern hanging high up against the ceiling
of the building. Up went the top into the lantern, which opened into
the shape of an umbrella, and a wealth of festoons of bright-colored
tissue paper descended from it all about the stage. Those who witnessed
Little All Right and the troupe of Japanese acrobats that exhibited
their tricks years ago in the United States will remember the many
surprising feats done by them. What they paid $1 for seeing can be
witnessed in Yokohama in the open air for just what one is pleased to
contribute, or under cover for from one to three cents.
[Illustration: MINNIE MADDERN.]
There are no manifestations of applause, no cat-calls or signs of
impatience. In the places visited by even the poorest, where the
accommodations are of the rudest, perfect order is observed, and every
one seems to be possessed of a patient quietness that is amazing. They
exhibit a deference for the comfort of their fellows that is worthy of
imitation. One great reason, perhaps, that the people are so gentle
and accommodating, one to the other, may be found in their complete
sobriety. No exhibition of drunken rowdyism is to be seen, and yet the
entire people, women as well as men, drink of the national beverage,
"sake," a liquor distilled from rice. As there is no "tarantula juice"
in its composition, its inebriating quality is rather mild. Its effect
upon the brain is not lasting, neither is it injurious.
Public-domain text, read in full here on John Shaqi.
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