Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
It makes no difference to the miniature men and women who are Humpty
Dumpty's best friends and admirers, how the mechanical effects of a
pantomime are produced. They do not care much to know that the pig
Humpty Dumpty and Pantaloon stretch across the width of the stage in an
endeavor to tear it from each other, has a rubber body; that the bricks
the clown throws at everybody are only paper boxes; that the trick pump
is worked from the side scenes with a string; that the clothes which
suddenly, and as if by some invisible influence, vanish into the sides
of houses or up through windows have light but strong black thread,
which the little ones cannot see at a distance, attached to them; the
big policeman is to them a stern and gigantic reality; and it affords
them more fun to imagine every time Humpty throws or makes a blow at
anybody, that the stinging sound is a sure indication that his aim was
well taken--they do not know that the sound as of receiving a blow is
the result of slapping the hands together. All the simple illusions of
the scene and of the action are to them actual facts, and they appear
all the more ridiculous and are all the more effective on this account.
When Humpty Dumpty dives through the side of a house, disappearing
behind, there are men in waiting to catch him, and when he sits down to
read his newspaper and the candle begins to grow beyond his reach, then
falling as he attempts to go higher with a sudden bang, and the clown
comes tumbling down after it as Jill did after Jack when they went up
the hill for the bucket of beer, few of the big or little people know
that the candle runs down through one of the legs of the table and is
all wood except the waxen bit at the top. All these little mysteries
have their charms for the years of childhood, and in no country are the
pleasures of the pantomime so fully recognized as in England, where
on Boxing Night--the 26th of December--children crowd the theatres to
witness the Christmas pantomime. In some theatres here the custom of
providing pantomime for the Christmas holidays is adhered to, but as
there are not enough Grimaldis or Foxes or Adamses or Fraziers to go
around, the supply being very limited, we cannot compete with England
in this respect.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account