Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Joe Emmett graduated from the variety theatre. Gus. Williams was a
shining light on the same stage. J. C. Williamson was a variety artist.
Geo. D. Knight did "Dutch business" in the minor theatres before he
got to be famous as _Otto_. I recollect having seen Knight play _Rip
Van Winkle_ in Deagle's old variety theatre on Sixth Street, in St.
Louis, and he played it well--not like Jefferson, of course, but it
was his first attempt at the part, and if Jefferson did any better the
first time he must not have improved very much since. This was twelve
years ago. Mrs. Geo. Knight (Sophie Worrell) danced on a concert saloon
stage in San Francisco. So did Lotta, and so did Mrs. Williamson. Den
Thompson, whose _Joshua Whitcomb_ is a perfect picture of the New
England farmer, first tried this same character in the variety theatre,
and Neil Burgess and the "Widow Bedotte" were first introduced to the
public as the tail-end of a nigger-singing and specialty programme.
[Illustration: MAD. THEO.]
Those were the palmy days of the variety show before negro ministrelsy
had grown to its present enormous proportions and before plays were
written so as to take in a whole variety entertainment, and under the
disguise of comedy or farce or burlesque foist a lot of specialty
people from a first-class stage upon an intelligent audience. The
musico-mirthful pieces that began to blossom forth in 1880 made a
heavy demand upon the resources of the variety houses, and within a
year threaten to leave them entirely at the mercy of "ham-fats," as the
lower order of this kind of talent is designated. "Fun on the Bristol"
and fifty more flimsy patchworks of the same kind were sailing around
the country in a short time, and every "team" that had a specialty
act of fifteen minutes duration wanted a play built to fit it and
went around telling friends that they guessed they'd go starring next
season. A great many of them did not go, but a great many others did.
The worst were left behind, and the result was poor variety programmes
and in consequence poor patronage for them.
[Illustration: GUS WILLIAMS AS JNO. MISHLER.]
Public-domain text, read in full here on John Shaqi.
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