Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
"In the chairs around the tables are many men, and an equal number of
women. The men are mainly young, and a majority seem to be country
youths or store clerks. There are others evidently country men or
foreigners. The women wear street-dress, hats and all. They are
Americans, often of Irish or German extraction. As a rule they are
not pretty, but they are quiet and mannerly. They know the cast-iron
rules of the house--no loud or profane talking, no loud laughing, no
quarreling, "no loving." These are printed and hang on the walls, and
all who go there either know or speedily find out that the slightest
breach of them results in prompt expulsion from the house. All are
drinking, and many of the women are smoking big cigars or tiny
cigarettes. Other women, without hats or sacques, but wearing big white
aprons, serve as waiters and as bartenders.
"Harry Hill himself, a smooth-faced old man, broad, big and muscular,
who shares with Lester Wallack the secret of looking twenty years
younger than he is, sits at a table with a detective and a chief of
police from some suburb. Hill is always there, and is ever entertaining
distinguished strangers. Clergymen from the cities drop in at the
rate of one a night. The women, as they come and go, stop and salute
or speak with Hill. He knows them all, is kind to all, and is liked
by all. He has nothing to do with them or their affairs, however, his
place being merely their exchange, and their duty being merely to
behave while there. The boxers bow and retire, and a young woman, who
was a few minutes before at one of the tables with a broker, who was
opening champagne, now faces the foot-lights in a short silk skirt,
bare arms, bare head and red clogs. She sprinkles white sand on the
boards from a gilt cornucopia, the music of a piano and three violins
strike up, and she rattles her heels and toes through a clog dance. It
is a waltz tune that she is keeping time to, and a tall young woman of
extremely haughty mien and rich apparel seizes a shy and seedy little
product of the pavement and whirls her round and round in the bare
space on the floor. The lookers-on gather there, and a callow stripling
from the country, without previous notice or formality, grasps a
snubnosed, saucy-looking girl in the throng and joins the dancers.
"'Some of these girls 'as bin a-coming 'ere ten or fifteen years,' says
Harry Hill, 'and looks better to-day than others which left their 'omes
a 'alf year ago. Hit's hall hacordin' to 'ow they take to drink. Hif
they go too farst they're sure to go too far.'
"Do they reform? Well, Mr. Hill says there are so many notions of what
reform really is, that he can't say. Some of them reform and become
mistresses when they get a chance, and some of them reform and return
and reform again by spells. He points out one whom he calls Nellie,
and says she went away and was going to lead a strictly honest life,
disappeared for six months, and the other night came back again.
Public-domain text, read in full here on John Shaqi.
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