Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
'You know the young man's brother,
Edwin, and played with the father of the boys. So have I; but don't
you think our friend exaggerates a bit?' 'No, I do not,' said I, 'for
I know the genius that runs in the blood of the Booth family, and
have seen it crop up at times in just such a manner as he describes.
The last engagement that the great Junius Brutus Booth played in San
Francisco only a few weeks before his death, I was cast for _Parson
Welldo_ in a "New Way to Pay Old Debts." And when _Sir Giles_, hemmed
in on all sides, is unable to break the combination against him, sees
the parson approaching, the lion immediately becomes a lamb. His look
of heavenly sweetness when I told him of the marriage of his daughter
was a study; but when he learned she was wedded to his bitterest enemy,
only a Dore's pencil could depict the diabolical malignity of the man.
The marks of his fingers I carried upon my throat for days after, and
when he shrieked in my ear with his hot breath, and the foam dropping
from his lip--"tell me, devil, are they married?" I had but to reply
"they are," but was unable to do so. So you see I am prepared for
anything this wonderful young man may turn out to be.'
"At that moment a commotion was heard at the back of the stage,
and Baker's voice was heard to say: 'Oh! not waiting long; you are
on time!' And striding down the centre of the stage came the young
man himself who was destined to play such an unfortunate part in
the history of our country afterwards. The stage being dark at his
entrance, the foot and border lights were suddenly turned up and
revealed a face and form not easily described or forgotten. You have
seen a high-mettled racer with his sleek skin and eye of unusual
brilliancy chafing under a restless impatience to be doing something.
It is the only living thing I could liken him to. After the usual
introductions were over, with a sharp, jerky manner he commenced the
rehearsal. I watched him closely and perceived the encomiums passed
upon him by the old actor were not in the least exaggerated. Reading
entirely new to us, he gave; business never thought of by the oldest
stager, he introduced; and, when the rehearsal was over, one and all
admitted a great actor was amongst us. Knowing his own powers, he was
very particular in telling those around him not to be affrighted at
night, as he might (he said, with a smile) throw a little more fire
into the part than at rehearsal. _Lady Anne_ (Miss Gray) was gently
admonished; _Richmond_, who was Jim Collier, was bluntly told to look
out in the combat scene. Jim, who was (and probably is now) something
of an athlete, smiled a sickly smile at the idea of anybody getting the
best of him in a combat scene, and in a sotto voice said to Jim Ward,
'Keep your eye on me to-night.'
Public-domain text, read in full here on John Shaqi.
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