Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
molasses and water for wine and darkens it a little shade for brandy;
is always busy behind the scenes, but is seldom seen, unless it is to
clear the stage, and then what a shower of yells and hisses does he
receive from the galleries! The thoughtless gods cry 'Supe! Supe!'
which if intended for an abbreviation of superior or superfine, may be
opposite, but in no other view of the case. What would a theatre be
without a property-man? A world without a sun * * * Kings would be
truncheonless and crownless; brigands without spoils; old men without
canes and powder; Harlequin without his hat; Macduff without his leafy
screen; theatres would close--there would be no tragedy, no comedy, no
farce without him. Jove in his chair was never more potent than he. An
actor might, and often does get along without the words of his part,
but not without the properties. What strange quandaries have we seen
the Garricks and Siddonses of our stage get into when the property-man
lapsed in his duty! We have seen Romeo distracted because the bottle
of poison was not to be found; Virginius tear his hair because the
butcher's knife was not ready on the shambles; Baillie Nicol Jarvie
nonplussed because there was no red-hot poker to singe the Tartan
fladdie with; Macbeth frowning because the Eighth Apparition did not
bear a glass to show him any more; William Tell in agony because there
was no small apple for Gesler to pick; the First Murderer in distress
because there was no blood for his face ready; Hecate fuming like
a hellcat because her car did not mount easily; Richard the Third
grinding his teeth because the clink of hammers closing rivets up was
forgotten; Hamlet brought up all standing because there was no goblet
to drink the poison from, and Othello stabbing Iago with a candlestick
because he had no other sword of Spain, the Ebro's temper, to do the
deed with. So, the property-man is no insignificant personage--he is
the mainspring which sets all the work in motion; and an actor had
better have a bad epitaph when dead than his ill will while living."
[Illustration: SCOTT-SIDDONS.]
CHAPTER XII.
MORE OF THE MYSTERIES.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account