This grave and earnest censor, however, allowed himself to be present at stage representations which he condemns. He objects but does not refrain. He witnesses masques at Court, and says little; enjoys his play, and denounces the enjoyment, in his diary, when he reaches home. He has as acute an eye on the behaviour of the ladies, especially among the audience, as for what is being uttered on the stage. "I saw the tragedy of 'Horace,'" he tells us, in February 1668, "written by the _virtuous_ Mrs. Phillips, acted before their Majesties. Betwixt each act a masque and antique dance." Then speaking of the audience, where the King's "lady" was wont to outblaze the King's "wife," he adds:--"The excessive gallantry of the ladies was infinite: those especially on that ... Castlemaine, esteemed at £40,000 and more, far outshining the Queen." Later in the year he is at a new play of Dryden's, "with several of my relations." He describes the plot as "foolish, and very profane. It afflicted me," he continues, "to see how the stage was degenerated and polluted by the licentious times." When forming part of the audience, by invitation of the Lord Chamberlain, at the Court plays, at Whitehall, in September 1666, Evelyn uses as freely his right of judgment. He sat ill at ease in the public theatres, because they were abused, he says, "to an atheistical liberty." The invitation to see Lord Broghill's "Mustapha" played before the King and Queen, in presence of a splendid court, was a command. Evelyn attended; but as he looked around, he bethought him of the London that was lying in charred ruins, and he sorrowingly records his disapproval of "any such pastime in a time of such judgments and calamities." With better times come weaker censures on these amusements; and the representation of the "Conquest of Granada," at Whitehall in 1671, wins his admiration for the "very glorious scenes and perspectives, the work of Mr. Streeter, who well understands it." In the following year, although not frequenting court plays, he takes a whole bevy of maids of honour _from_ court to the play. Among them was one of whom he makes especial mention, on account of her many and extraordinary virtues, which had gained his especial esteem. This grave maid, among the two vivacious ladies whom Evelyn 'squired to an afternoon's play, was Mistress Blagg, better known to us from Evelyn's graceful sketch of her life, as Mrs. Godolphin.