"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Of the other pieces produced this season at Drury Lane, it will
suffice to say, that "Love the Leveller" was by "G. B., gent.,"
who ascribes its failure to his having adopted the counsel of
friends, and who consoles himself by the thought, that "it found so
favourable a reception that the best plays hardly ever met with a
fuller audience." Happy man! his piece was at least damned by a full
house. The "Albion Queens" was an old play, by Banks, which, dealing
with the affairs of England and Scotland, was held to be politically
dangerous; but good Queen Anne now licensed it, on the report of its
inoffensiveness made by "a nobleman;" and its dulness, relieved by
good acting, delighted our easy forefathers for half a century.
Lincoln's Inn failed to distinguish itself this season. Eton had no
reason to be proud of the comedy of its _alumnus_, Walker, "Marry, or
Do Worse;" and in the tragedy of "Abra Mulé," with its similes, which
continually run away with their rider, the young Master of Arts,
Trapp, shows that he was as poor a poet,[82] in his early days, as
that translation of Virgil, which so broke the rest of Mrs. Trapp,
proved him to be in his later years, when he was D.D., and Professor
of Poetry. Dennis's "Liberty Asserted" only demonstrated how heartily
he hated the French; and as there was no dramatist who did so, in the
same degree, when the French and the Pretender were very obnoxious,
some years later, this thunder of Dennis was revived to stimulate
antipathies. Queen Anne's Scottish historiographer did nothing for
the English stage, by his comedy of "Love at First Sight," and
farces like the "Stage Coach," the "Wits of Woman," and "Squire
Trelooby," are only remarkable because Betterton and the leading
actors played in them as readily as in "first pieces."
During May Fair, the theatre was closed, some of the actors playing
there, at Pinkethman's booth. In the same season they played before
the Queen at St. James's, in the "Merry Wives of Windsor," with
Betterton as Falstaff, which he subsequently acted for his own
benefit. This piece, and also "Julius Cæsar," "Othello," and "Timon
of Athens," were the plays by or _from_ Shakspeare, which were played
this season.
Public-domain text, read in full here on John Shaqi.
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