Matters did not improve in 1708-9, in which season Brett's share of the patent was made over to Wilks, Cibber, and Estcourt,--the other shares amounting to nearly a dozen. The only success of this season was achieved by Mrs. Centlivre's "Busy Body" (Marplot, by Pack), and _that_ was a success of slow growth. Baker, who had ridiculed his own effeminate ways in Maiden ("Tunbridge Walks"), now satirised the women; but the public hissed his "Fine Lady's Airs," almost as much as they did Tom Durfey's "Prophets." In the latter piece, rakish, careless, penniless Tom, laughed at the religious impostors of the day who dealt with the past dead and with future events; but the public did not see the fun of it, and damned the play, whose author survived to write worse. Then there was the "Appius and Virginia," of Dennis,--of which nothing survives but the theatrical thunder, invented by the author for this tragedy,--and the use of which, after the public had condemned the drama of a man who equally feared France abroad and bailiffs at home, was always resented by him as a plagiarism. In this piece, Betterton acted the last of his long list of the dramatic characters created by him,--Virginius. Shortly after this took place that famous complimentary benefit for the old player, when the pit tickets were paid for at a guinea each. The actors could scarcely get through "Love for Love," in which he played Valentine, for the cloud of noble patrons clustered on the stage, when guineas by the score were delicately pressed upon him for acceptance,--and Mistresses Barry and Bracegirdle supported him at the close; while the former spoke the epilogue, which was the dramatic apotheosis of Betterton himself. On the following June, actors and patentees were at issue; and their dissensions were not quelled by the Lord Chamberlain closing the house; from which Rich, of whose oppressions the actors complained, was driven by Collier, the M.P. for Truro, to whom, for political as well as other reasons, a licence was granted to open Drury Lane. When Collier took forcible possession of the house, he found that Rich had carried off most of the scenery and costumes; but he made the best of adverse circumstances and a company lacking Betterton and other able actors; and he opened Drury on November 23rd, 1709, under the direction of Aaron Hill, with "Aurungzebe," and Booth for his leading tragedian.