"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
From Collier, there went over to the Haymarket, under Swiney,
Betterton, Wilks, Cibber, Dogget, Mills, Mrs. Barry, Oldfield, and
other actors of mark. Drury had opened with Dryden. The Queen's
Theatre, Haymarket, commenced its season on the 15th of September
1709, with Shakspeare. The play was "Othello," with Betterton in the
Moor; but oh! shade of the bard of Avon, there was between the acts
a performance by "a Mr. Higgins, a posture-master from Holland," and
the critics, silently admiring "old Thomas," loudly pronounced the
feats of the pseudo-Hollander to be "marvellous." The only great
event of the season was the death of Betterton, soon after his
benefit, on the 13th of April 1710, of which I have already spoken at
length.
About this period, the word _encore_ was introduced at the operatic
performances in the Haymarket, and very much objected to by
plain-going Englishmen. It was also the custom of some who desired
the repetition of a song to cry _altra volta! altra volta!_ The
Italian phrase was denounced as vigorously as the French exclamation;
and a writer in the _Spectator_ asks when it may be proper for him to
say it in English, and would it be vulgar to shout _again! again!_
The season of 1710-11 was a languishing one. Players and playgoers
seemed to feel that the great glory of the stage was extinguished
in the death of Betterton and the departure of Mrs. Barry. Collier,
restless and capricious, gave up Drury Lane for opera at the
Haymarket, Swiney exchanging with him. The united company of actors
assembling at the former, contributed £200 a year as a sort of
compensation to Collier, as well as refraining from playing on a
Wednesday, when an opera was given on that night. The Thursday
audiences were all the larger for this; but the inferior actors, who
were paid by the day, felt the hardship of this arrangement, and
noblemen, who espoused the part of the English players against the
foreign singers, expressed an opinion, as they walked about behind
the scenes, that "it was shameful to take part of the actors' bread
from them to support the silly diversions of people of quality."
Public-domain text, read in full here on John Shaqi.
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