"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
poet was not unread in the older masters.
But there were worse and better plays than "Scipio" brought out
on the same stage this season. Taverner failed in a _pendant_ to
his "Artful Husband," the "Artful Wife." Bullock did little for
the credit of the stage by his farce of the "Perjuror," and Sir
Thomas Moore justly criticised his own tragedy of "Mangora, King of
the Timbusians," when he called it a "trifle." It is a very noisy
trifle, concerned with love, battle, murder, and worse, between
the Spaniards and South American Indians. Rich thought its bustle
might carry its absurdities successfully through, and Sir Thomas
stimulated the actors, when at rehearsal, by inviting them to supper,
at which Leigh, the two Bullocks, Williams, Ogden, Knapp, and
Giffard, Mistresses Knight, Bullock, and Kent, made a joyous party,
as hilarious as the audience was, whose laughter alone prevented them
from hissing down the nonsense of an obscure man who was knighted for
some forgotten service--certainly not for any rendered to the Muses.
The piece of this season which had stuff in it to cause it to live
to our own times, was Mrs. Centlivre's "Bold Stroke for a Wife."
Sprightly Mrs. Centlivre was as fervent a Whig as Cibber, and had
written verses enough in praise of Brunswick to entitle her to be
Poetess-Laureate, had the Princess Caroline had a voice in the
matter, when Rowe died this very year, and Newcastle recommended
tipsy Eusden for the office of "birthday fibber." The "Bold Stroke,"
laughed at and denounced by Wilks, and taken reluctantly in hand by
the actors, is a fair specimen of that lighter comedy which borders
upon farce, but in which the fun is genuine, and the incidents not
so improbable but that they may be accepted, or, by the rapidity of
their succession, laughed at and forgotten.
This season, withal, was not successful. It broke the heart of Keen,
actor and sharer. In the former capacity, though Savage thought his
life worth narrating, he won few laurels,--but his wreath was not
entirely leafless. He was loved, too, by his brethren of both houses,
whose subscriptions defrayed the expenses of a funeral, at which
upwards of two hundred persons walked in deep mourning.[106]
Public-domain text, read in full here on John Shaqi.
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