"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Lord Chancellor West died
in December of this year.
The above single play was, however, worth all the novelties produced
by Rich at Lincoln's Inn Fields. These were comedies of a farcical
kind. In one of them, the "Capricious Lovers," by Odingsell, there
was an original character, Mrs. Mincemode (Mrs. Bullock), who "grows
sick at the sight of a man, and refines upon the significancy of
phrases, till she resolves common observations into indecency." In
the "French Fortune-teller,"[120] the public failed to be regaled
with a piece stolen from Ravenscroft, who had stolen his from the
French. The third play was "Money the Mistress," which the audience
damned, in spite of the reputation of Southerne, who, with this
failure, closed a dramatic career which had commenced half a century
earlier. In its course he had written ten plays, the author of
which had this in common with Shakspeare--that he was born at
Stratford-on-Avon.
With this year, 1726-27, came the first symptom of a "break-up" in
the hitherto prosperous condition of Drury Lane. It occurred in the
first long and serious illness of Booth, which kept him from the
theatre, three long and weary months to the town. The season at Drury
Lane, however, and that at Lincoln's Inn Fields, had this alike, that
after Booth's welcome return, all London was excited by expectations
raised by comedies whose authors were "gentlemen," in whose success
the "quality," generally, were especially interested. At Drury it
was the "Rival Modes," by Moore Smythe; at Lincoln's Inn Fields,
the "Dissembled Wanton, or, my Son, get Money," by Leonard Welsted.
In the former piece there is a gay lover, Bellamine (Wilks), wooing
the grave Melissa (Mrs. Porter), while the serious Sagely (Mills)
pays suit to the sprightly widow Amoret (Mrs. Oldfield). An old
beau of King William's time, Earl of Late Airs (Cibber), brings his
son to town (Lord Toupet, a modern beau, by Theophilus Cibber), in
order that he may marry Melissa, with her father's consent. Amoret
contrives to upset this arrangement, and the other lovers are duly
united. The plot was good, the players unsurpassable, the two Cibbers
fooling it to the top of their bent, and old and new fashions were
pleasantly contrasted; but the action was languid, and the piece was
hissed.
Public-domain text, read in full here on John Shaqi.
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