"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
The rogue showed the value of a "profession," which gave rise to as
many pamphlets as Dryden's, by subsequently recanting,--not in the
church, but on the stage; he the while covered with a sheet, holding
a taper, and delivering some stupid rhymes,--to the very dullest of
which he had the art of giving wonderful expression by his accent,
emphasis, modulation, and felicity of application. The audience that
could bear this recantation-prologue could easily pardon the speaker,
who would have caused even greater errors to have been pardoned,
were it only for his wonderful impersonation of Captain Bluff (1693)
in Congreve's "Old Bachelor." The self-complaisant way in which he
used to utter "Hannibal was a very pretty fellow in his day," was
universally imitated, and has made the phrase itself proverbial. His
Roger, in "Æsop," was another of his successes, the bright roll of
which was crowned by his lively, impudent, irresistible Tom Errand,
in Farquhar's "Constant Couple,"--that most triumphant comedy of a
whole century.
The great fault of Haines lay in the liberties which he took with
the business of the stage. He cared less to identify himself with
the characters he represented than, through them, to keep up a
communication with the spectators. When Hart, then manager, cast
Joe for the simple part of a Senator, in "Catiline," in which Hart
played the hero, Joe, in disgust at his _rôle_, spoiled Hart's best
point, by sitting behind him, absurdly attired, with pot and pipe in
hand, and making grimaces at the grave actor of Catiline; which kept
the house in a roar of laughter. Hart could not be provoked to forget
his position, and depart from his character; but as soon as he made
his _exit_, he sent Joe his dismissal.
Joe Haines then alternated between the stage and the houses of his
patrons. "Vivitur ingenio"--the stage-motto, was also his own, and
he seems to have added to his means by acting the jester's part
in noble circles. He was, however, no mere "fool." Scholars might
respect a "classic," like Haines, and travelling lords gladly hire as
a companion, a witty fellow, who knew two or three living languages
as familiarly as he did his own. With an English peer he once visited
Paris, where Joe is said to have got imprisoned for debt, incurred in
the character, assumed by him, of an English lord. After his release,
he returned to England, self-invested with the dignity of "Count," a
title not respected by a couple of bailiffs, who arrested Joseph, on
Holborn Hill, for a little matter of £20.
"Here comes the carriage of my cousin, the Bishop of Ely," said the
unblushing knave; "let me speak to him; I am sure he will satisfy you
in this matter."
Consent was given, and Haines, putting his head in at the
carriage-door, hastily informed the good Simon Patrick that "here
were two Romanists inclined to become Protestants, but with yet some
scruples of conscience."
Public-domain text, read in full here on John Shaqi.
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