"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
The feeling of the English public towards Betterton is in strong
contrast with that of the French towards their great actor, Baron.
Both men grew old in the public service, but both were not treated
with equal respect in the autumn of that service. Betterton, at
seventy, was upheld by general esteem and crowned by general
applause. When Baron, at seventy, was playing Nero, the Paris pit
audience, longing for novelty, hissed him as he came down the stage.
The fine old player calmly crossed his arms, and looking his rude
assailants in the face, exclaimed, "Ungrateful pit! 'twas I who
taught you!" That was the form of Baron's _exit_; and Clairon was as
cruelly driven from the scene when her dimming eyes failed to stir
the audience with the old, strange, and delicious terror. In other
guise did the English public part with their old friend and servant,
the noble actor, fittingly described in the licence granted to him by
King William, as "Thomas Betterton, Gentleman."
[Illustration: Mr. Garrick as King Lear.]
FOOTNOTES:
[29] Malone gives the date of his baptism as 11th August 1635.
[30] I see no reason to doubt that Hart rather than Harris was the
rival in question. Hart was an older actor than Betterton, and he
and Mohun were the supports of the old school, which its admirers
pronounced infinitely superior to that of Betterton. See, for
instance, the _Historia Histrionica_.
[31] Should be Sir Thomas Beaumont in "The Platonic Lady."
[32] It is generally implied, if not stated outright, that Mrs.
Betterton never recovered her reason after her husband's death; but
this seems an error, because she made a Will, which is dated 10th
March 1711-12, when she was presumably sane.
[Illustration: THE DUKE'S THEATRE, DORSET GARDEN.]
CHAPTER VI.
"EXEUNT" AND "ENTER."
After Betterton, there was not, in the Duke's Company, a more
accomplished actor than Harris. He lived in gayer society than
Betterton, and cared more for the associates he found there. He had
some knowledge of art, danced gracefully, and had that dangerous gift
for a young man--a charming voice, with a love for displaying it. His
portrait was taken by Mr. Hailes;--"in his habit of Henry V., mighty
like a player;" and as Cardinal Wolsey; which latter portrait may now
be seen in the Pepysian Library at Cambridge.
[Illustration: (Joseph Harris.)]
Public-domain text, read in full here on John Shaqi.
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