"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
With the audience she was never for a moment out of favour after
she had made her merit apparent. They acknowledged no greater
actress,--with the single exception of Mrs. Betterton in the
character of Lady Macbeth. Nevertheless, on and behind the stage
Mrs. Barry's supremacy was sometimes questioned and her commands
disobeyed. When she was about to play Roxana to the Statira of Mrs.
Boutell, in Nat. Lee's "Rival Queens, or the Death of Alexander
the Great," she selected from the wardrobe a certain veil which
was claimed by Mrs. Boutell as of right belonging to her. The
property-man thought so too, and handed the veil to the last-named
lady. His award was reasonable, for she was the original Statira,
having played the part to the matchless Alexander of Hart, and to
the glowing Roxana of the fascinating Marshall. I fear, however,
that the lady was not moderate in her victory, and that by flaunting
the trophy too frequently before the eyes of the rival queen, the
daughter of Darius exasperated too fiercely her Persian rival in
the heart of Alexander. The rage and dissension set down for them
in the play were, at all events, not simulated. The quarrel went on
increasing in intensity from the first, and culminated in the gardens
of Semiramis. When Roxana seized on her detested enemy there, and
the supreme struggle took place, Mrs. Barry, with the exclamation
of "Die, sorceress, die! and all my wrongs die with thee!" sent her
polished dagger right through the stiff armour of Mrs. Boutell's
stays. The consequences were a scratch and a shriek, but there was no
great harm done. An investigation followed, and some mention was made
of a real jealousy existing in Mrs. Barry's breast in reference to
an admirer of lower rank than Alexander, lured from her feet by the
little, flute-voiced Boutell. The deed itself was, however, mildly
construed, and Mrs. Barry was believed when she declared that she
had been carried away by the illusion and excitement of the scene.
We shall see the same scene repeated, with similar stage effects, by
Mrs. Woffington and Mrs. Bellamy.
If there were a lover to add bitterness to the quarrel engendered
by the veil, Mrs. Barry might have well spared one of whom she
possessed so many. Without being positively a transcendent beauty,
her attractions were confessed by many an Antony from the country,
who thought their world of acres well lost for the sake of a little
sunshine from the eyes of this vanquishing, imperious, banquetting,
heart and purse destroying Cleopatra. There were two classes of
men who made epigrams, or caused others to make them against her,
namely, the adorers on whom she ceased to smile, and those on
whom she refused to smile at all. The coffee-house poetry which
these perpetrated against her is the reverse of pleasant to read;
but, under the protection of such a wit as Etherege, or such a
fine gentleman as Rochester, Mrs. Barry cared little for her puny
assailants.
Public-domain text, read in full here on John Shaqi.
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