She returned to the "Garden" in the season 1754-55, going through all her best characters in that, and the two succeeding, and her final seasons. The last male part she acted was Lothario; the last original part she created was Lady Randolph (which, however, had been previously played in Edinburgh by Mrs. Ward), and in Rosalind, paralysis put an end to her professional career. Just previously, her Lothario had not been highly esteemed; and Barry, in the memorable suit of white puckered satin, had produced all the effect in "Douglas." This affected her spirits. Then she was annoyed at young Tate Wilkinson, whom Foote had just brought on the stage, and who had audaciously imitated the worst parts of Margaret's voice. Almost the only unkind act that can be laid to Mrs. Woffington's charge, was her consequent attempt to induce Rich not to enter into an engagement with Wilkinson. Her scorn drove the unfortunate young gentleman, for his story was a sad one, from the green-room, despite the interference of Shuter. One night, as she was playing Clarissa in the "Confederacy," she saw Wilkinson in a stage-box with Captain Forbes, and unable to control her rage, she came close to the box, and absolutely made him shrink back by the sneering sarcasm with which she flung at him one of her speeches. A rude woman in the box above mimicked her peculiar voice so well, as Clarissa turned away, that Mrs. Woffington thought it came from Wilkinson. That night she swept through the green-room, a beautiful fury, and the next day, at Rich's levee, she assailed Tate with terrible eloquence, prophesied evil to him, wished the evil she prophesied, and altogether manifested little of the kindly nature which was, in truth, her own.