During the remainder of the period that Garrick and Barry continued at the same house, the stage seemed to languish as their career drew to a close. Barry's energies slackened, and Garrick studied no new part. Within the same period old Havard died, after a service of utilities and some authorship, which extended to nearly threescore years.[96] If power may be judged by effects, Havard was a powerful writer, for his "Charles I.," when acted at York, excited such painful emotions in a young lady named Terrot that she died of it. Kitty Clive now retired, and Holland died, it is said, of small-pox; but he was more affected by Powell's death. After this event he was standing in the green-room, talking mournfully of his comrade. "The first time we played together in private," he said, "I acted Iachimo to his Posthumus. When I first appeared in public, we performed the same characters; and they were the last we ever played together!" "And you are dressed for Iachimo, as you tell it," added a listener. Holland smiled sadly; and soon after he slept with his old play-fellow, Posthumus; dying at the age of forty. Love, in Falstaff only inferior to Quin, died also about this time. Under that pseudonym he saved his father, the City Architect, it was supposed, the disgrace that might attach to him, if his son called himself by his proper name (Dance) on the stage. Covent Garden, in losing Powell, lost one who was as ignorant as Mrs. Pritchard, but he had fine stage inspirations. Of the acquisitions made at this time, the most notable was that of Lewis, who first appeared at Covent Garden in the season of 1773-74 as Belcour, and in light tragic parts.