"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
But the one comedy of this period, which has gloriously survived
all the rest, and which is being acted as I write, is Goldsmith's
"She Stoops to Conquer." There is nothing in it of the mawkishness
of Kelly nor of the pompous affectation of Cumberland. It was so
_natural_, that those who did not despair, doubted of it; and the
author himself had not the courage to believe in its success, though
Johnson and a faithful few alone augured triumph. After a world of
difficulty, the night of performance arrived at last,--the 15th of
March 1773. From the Shakspeare tavern, Johnson led a band of friends
to Covent Garden, where he sat in the front of a side box; and as
he laughed, the applause increased. But the friendly approvers were
occasionally indiscreet, despite the instructions of Cumberland, who
very kindly asserts, that the success of the comedy was owing to the
exertions of those _claqueurs_,--predetermined to secure a triumph!
It came, that triumph,--and to a rare son of genius; one, who showed
that drollery was compatible with decency, and that high comedy
could exist without scoundrelly fine gentlemen to support it. It gave
good opportunities, also, to rising actors, who, on the refusal of
Smith to play Young Marlow, and of Woodward to play Tony Lumpkin,
were cast for those parts,--namely, Lee Lewes and little Quick.
Goldsmith did not venture to go down to Covent Garden till the fifth
act was on, and then he heard the one solitary hiss, which was the
exception to the universal applause, and which has been variously
ascribed as issuing from the envious lips of Kelly or of Kenrick.
Sentimental comedy, ridiculed by Foote at the Haymarket, in his
"Handsome House Maid, or Piety in Pattens," was dethroned, for a
period, by Goldsmith's comedy. It was time. Sentiment had been
carried to its utmost limits a month or two before, in a little piece
called "Rose." In this operatic drama, we find Lord Gainlove (Vernon)
celebrating his twenty-first birthday, by inviting every marriageable
lady within five miles. Each of them is to bring a rose; and my lord
is to marry her who brings one that cannot decay. The roses are
brought by all, save Serina (Mrs. Smith), who, on being questioned,
remarks, that the only rose which never decays is virtue; and that
_she_ brings the imperishable flower! She is raised to the rank of
Lady Gainlove, forthwith!
Public-domain text, read in full here on John Shaqi.
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