"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Two years after Barry's death, his widow met with and married a
scampish young Irish barrister, named Crawford, who spent her money,
broke her heart, and was the cause of her theatrical wardrobe being
seized by a Welsh landlord, for debt. The General who married the
widow of Napoleon treated her with respect, but young Crawford only
regarded the middle-aged but handsome and accomplished widow of
Spranger Barry as a means whereby he might live. There is something
supremely melancholy in the story of Mrs. Barry, after this time.
She raised her young husband to such efficiency that in London,
he played Pierre, to her Belvidera; and the bad fellow might have
respected a woman who did this, and could also earn £1100 in sixteen
nights of acting, in Ireland. In the latter country, whither Mrs.
Crawford, as I regret to call her, went, after playing Zara, in
1781, thereby leaving a long-desired opening to Mrs. Siddons,--Mr.
Crawford acquired a reputation for shabbiness. On his benefit night,
in a supper scene, he provided no refreshments on the table, for
the actors seated round it, and this omission produced a scene of
unrehearsed effects,--of exposure of Crawford's meanness, on the
part of the players, and indignation against him on the part of the
audience. When he became lessee, after Ryder, his own unhappy wife
could not trust him, and often refused to go on, till Crawford had
collected the amount of her salary from the doorkeepers,--if they
had taken as much. He was reduced to such straits that one night,
on the desertion of his unpaid band, he himself, and alone, played
the violin in the orchestra, dressed as he was for Othello, which
he acted on the stage. The Irish audience enjoyed the fun, and even
Mrs. Crawford was so attached to him, that when Jephson's "Count of
Narbonne" was first produced, in which, from her age, she should have
played the Countess, she chose to act Adelaide, that her husband
might still make love to her, as Theodore!
All that she earned, Crawford squandered. Fortunately, the small
annuity left by her mother was secured to her, and this Crawford
could not touch. What became of this unworthy Irishman I cannot say;
but he helped to spoil Mrs. Crawford, as an actress. Her health
and spirits failed, and her acting grew comparatively languid. The
appearance of Mrs. Siddons, in the best of her years, strength,
beauty, and ability, quickened the jealous pulses of the older
actress's heart, and she once more played Lady Randolph, with
such effect, that the _Morning Chronicle_ asserted, no competitor
could achieve a like triumph. The younger actress at last outshone
Mrs. Crawford, whose very benefits became unprofitable. Her last
appearance on the stage was at Covent Garden, on the 16th of April
1798, in Lady Randolph, a character which Mrs. Siddons did not play
that season,--her Mrs. Haller being the peculiar triumph of that
glorious year.
Public-domain text, read in full here on John Shaqi.
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