"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Garrick offered to bury him, but a kinsman who would have nothing to
say to the actor, claimed the satisfaction of consigning him to the
grave, whither, after all, his brother actors carried him. So ended
the promising player who combined gastronomy with his study of the
drama, and ordered his dinner according to the part he had to act;
sausages and Zanga; rump-steaks and Richard; pork-chops and Pierre;
veal-cutlets and Barbarossa; and so forth! The antagonism of the two
Irish actors seems to have wearied the Dublin people, who, at last,
"Did not care a toss-up,
If Mossop beat Barry, or Barry beat Mossop."
Of some other actors who left the stage about the same period I will
speak in the next chapter.
FOOTNOTES:
[117] It is perhaps scarcely worth noting, but the form of this
speech seems to me so much better as given by Cooke, that I venture
to quote it:--"Pray, sir, don't disturb me; consider, I am now at _my
rehearsal_."
[118] I cannot help remarking that Dr. Doran does not give Mossop
anything like his proper importance. He was one of the three great
actors of his period: Garrick, Barry, Mossop. I may also say that the
date of his death is uncertain. It may have been 1775.
[Illustration: KITTY CLIVE'S HOUSE, TWICKENHAM.]
CHAPTER XXI.
KITTY CLIVE, WOODWARD, AND SHUTER.
As Mr. Wilks passes along, to or from rehearsal, there are two young
girls of about sixteen years of age who gaze at him admiringly. Day
after day the graceful actor remarks this more graceful couple, the
name of the brighter of whom is Raftor. If not Irish, she is of Irish
parentage, and of good family. Her father, a native of Kilkenny,
had served King James, and got ruin for his wages. When Catherine
Raftor was born, in 1711, she was born into a poor household, and
received as poor an education as many countesses, her contemporaries;
and here we come upon her, some sixteen years afterwards, watching
_Sir Harry Wildair_ entering or issuing from that gate of Elysium,
the stage-door of the Theatre Royal, Drury Lane. If she knew but the
"Sesame!" that would give admission to _her_ she would be as happy as
a houri!
Public-domain text, read in full here on John Shaqi.
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