"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Of John Kemble's brothers, Stephen and Charles, the former was the
less celebrated, but he was not without merit. The fame of his sister
induced him to leave a chemist's, or an apothecary's counter, for
the stage, as, later in life, the reputation of the eldest brother
tempted Charles Kemble to abandon an appointment in the Post Office,
in order to try his fortune as a player. In these respective trials
Stephen was less fortunate than Charles. Born in 1758, on the night
his mother played Anne Boleyn, he was by seventeen years the elder
of the latter. His theatrical life commenced in Dublin, after an
itinerant training; but there John extinguished Stephen; and when,
in 1783, he appeared at Covent Garden, as Othello, to the Desdemona
of Miss Satchell, afterwards his wife, whatever impression he may
have made, Stephen was speedily swept from public favour by the
greater merit of John. After subsequently playing old men at the
Haymarket, Stephen opened a house in Edinburgh, against Mrs. Esten
at the established theatre. The opposition led to, in some sense, a
dignified strife. The Duke of Hamilton loved Mrs. Esten, and the Duke
of Northumberland was a friend to the Kembles. In the law proceedings
which followed, each Duke gave material support to his favourite, and
here was the old feud of Douglas and Percy again raging in the north!
Ultimately Stephen left Edinburgh with no great amount of luck to
boast of, and, after a wandering life, appeared, in 1803,[71] at
Drury Lane, as Falstaff, after the delivery by Bannister of a heavy
set of jocular verses, making allusion to his obesity, which enabled
him to act Falstaff without stuffing! He did not act it ill; but
Henderson had not yet faded from the memory of playgoers, and Stephen
Kemble could not attain higher rank than a place among the best of
the second class of actors. Again he disappeared from the metropolis,
but returned, and played a few of the parts to which he was suited,
rather by his size than his merits; and in 1818, at Drury Lane, where
he assumed the office of manager, opened the season by introducing
his son Henry, from Bath, as Romeo. In 1819 he played Orozembo; and
"therewith an end." The theatre was then let to Elliston; Henry
Kemble sank from Drury to the Coburg,[72] and Stephen withdrawing to
a private life, not altogether ill provided, died in 1822.
[Illustration: (Charles Kemble)]
Public-domain text, read in full here on John Shaqi.
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