"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
That there _is_ much in a wig beyond the head it covers is, however,
certain. No actor ever had such a wonderful collection of them as
Suett, or looked so comic in them; though his horrible depression,
and his terrific and painful dreams, nearly drove him mad. Such
importance was attached to these wigs, that when the entire
collection was burnt in the fire that destroyed the Birmingham
Theatre, a friendly writer expressed a hope, that "until Mr. Suett
can replace them,--the public will make an allowance for the great
drawback their loss must be upon his comic abilities."
In some theatres, one coat has served successive generations of
actors. It was not so with the dress which Garrick wore when he first
appeared at Goodman's Fields, as Richard. This fell into the keeping
of a man named Carr, who, when a strolling manager, used to act in
it--let the character he had to represent be what it might! Greater
actors than Carr were as negligent with respect to costume. Gentleman
Smith, for instance, I meet with, complaining of the shabbiness of
his Richard III.'s hat, and asking if he cannot have that which
Powell wore as King John!
[Illustration: (Richard Suett)]
The _Morning Chronicle_ for November 14, 1783, after extolling Mrs.
Crawford's Lady Randolph as a triumph of acting which no competitor
could reach, assails the costumes. "Lord Randolph and Glenalvon
were as fine as if they were designed for the soft service of Venus,
and meant to be present in an Eastern ballroom; and yet the whole
scene of the play lies in the hardy region of the North, &c., &c. Old
Norval's dress," it is added, "had not the most distant semblance of
the ordinary habit of a Scotch shepherd."
Of John Kemble's anachronisms in Hamlet, I may add to the record,
that in that play, the period of which is before the Norman conquest,
he wore the order of the Elephant, which was not instituted till the
middle of the fifteenth century! In Hotspur, too, he always wore
the order of the Garter, even after proof was laid before him that
young Harry Percy had never been a member of the order. Elliston
imitated Kemble; but when he heard that Hotspur did not belong to
that chivalrous fraternity, he took the garter from his knee, as he
was one night at the wing, ready to go on.
Public-domain text, read in full here on John Shaqi.
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