"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
No one better supported the dignity of the profession than Charles
Murray, a son of Sir John Murray, of Broughton, and originally
intended for the medical profession. In his younger days, before he
fell into the line of old men, at Covent Garden, he was playing at
Wakefield, where he so spiritedly resented an insult flung at him as
an actor, that the party he thereby offended made a public quarrel
of it, and the town was divided into two factions. Murray refused to
ask pardon on the stage, and on a night he was to play in the "Beaux'
Stratagem," knowing the intentions of his enemy in front, he entered
booted and spurred, and announced that, aware of the opposition, he
was about to set out for Doncaster. Whereupon, his friends leaped
from the boxes to the stage, declared he should not be driven from
the theatre, and guarding the wings, they compelled Murray, dressed
or undressed, as he was, to go through his part, and to remain on the
stage throughout the piece, lest he should profit by an _exit_, to
make his escape.
On the other hand, poor Jack Owen, the "successor" of Henry Mossop,
and the "real Zanga," as he used to call himself, was always able
to defend his own cause. He was one night hissed while playing
Polydore, in the "Orphan," when under the influence of the grape. He
had just dismissed the Page, with "Run quickly, then, and prosperous
be thy wishes," when his imperfect utterance raised a storm of
hisses. But he turned the first words of the succeeding soliloquy
to good account,--and advancing to the footlights, growled to the
house, "Here I am alone and fit for mischief,"--putting himself in
a fighting attitude, and moving the house to laughter by his new
reading.
The discipline of preparation for the stage in the older days was
greater than it is now. It included strolling, slaving at country
theatres, a course of probation at Norwich, Bath, York, and such
towns,--after which there was an assured trial for an ambitious
player, at every fresh season in London. But ere this point was
reached, there was much to be endured.
Public-domain text, read in full here on John Shaqi.
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