"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
However this might be, the breakfast concluded, Cooke returned
thanks, rose, shook his faded suit of sables, and made, calmly
satisfied, for the door. Between that and himself ever stood the
landlord, or head waiter, and then ensued a controversy, to hear
which, old beaux, middle-aged bucks, and younger bloods crowded
with more eagerness than would have marked their going to a sermon.
Cooke's theory was not "base is the slave that pays," but that,
payment lacking on his part, it would be base to deprive him of
breakfast. To the simple and conclusive reasoning of the master he
opposed texts from the Talmud, maxims from the Rabbis, and a clincher
from Moses, according to whose legislation even a thief was not to
be punished, if his so-called offence originated in the natural
necessity of satisfying his stomach. Of course, when the audience
grew tired of the argument, they clubbed the amount required, and
sent the cunning author rejoicingly on his way.
That way took him from the landlord, who was quite "agreeable" to
have him for a customer,--he drew so many others--to the patron from
whom Cooke hoped to extract sufficient whereon to dine, have his
claret, and spin out his evening, like a gentleman. He was always
about to publish one of, perhaps both, the mad plays he had written:
"The King cannot Err," and the "Hermit Converted, or the Maid of
Bath Married." Or he was on the point of giving to the public some
treatise on mystical divinity. For suitable patrons he had as fine a
scent as for breakfast. He selected them among wealthy old Creoles,
or rich young lords just returned from the grand tour; or peers who
would be glad to give a guinea to get rid of him; or baronets who
would think the fun got out of him well worth the fee; or simple
'squires and gentlemen honestly ready to contribute to the support of
literature and distressed authors.
With the guinea for subscription in his pocket, Cooke withdrew on
that day, to call on the same or some other patron the next, for
permission to dedicate his drama to one of whose virtues, talents,
magnanimity, divine endowments, and the like, the town was giving
hourly assurance. The fish thus tickled generally proved a gold-fish,
and with a dedication fee of, at least, five guineas, Cooke
disappeared as solemnly as the Ghost in "Hamlet."
Like that shadowy majesty of Denmark, our dramatic author was a
"revenant." He always returned. A happy thought had struck him. A
copper-plate engraving of his patron's shield of arms, at the head of
the dedication, would magnify every party concerned, and especially
him of whose house it was the blazon! There were little incidental
expenses, no doubt; but what were they to one so munificent and so
disposed to promote the best interests of learning! And, accordingly,
Cooke withdrew, all the richer by ten guineas,--for the engraver!
Public-domain text, read in full here on John Shaqi.
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