"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
In 1809 Lewis withdrew, in his sixty-third year. He was a Lancashire
man, well descended, though a draper's son, and was educated at
Armagh. He left linen-drapery for the stage,[89] played with success
in Dublin and Edinburgh, and came to Covent Garden in 1773, where,
however, he did not displace Barry, as in Dublin he had vanquished
Mossop.[90] He remained at Covent Garden from 1773, when he appeared
in Belcour (a compliment to Cumberland, who had helped to bring him
thither), till the 29th of May 1809, when he took his farewell in
the Copper Captain, the best of all his parts. He died in 1813, and
out of part of his fortune bequeathed to his sister, the beautiful
new church at Ealing was chiefly erected. His various styles are
indicated by some of the parts he created. Pharnaces and Sir Charles
Racket; Arviragus (Caractacus) and Millamour; Percy and Doricourt;
Sir Thomas Overbury and Count Almaviva; Herodian and Lackland;
Aurungzebe ("Prince of Agra") and Young Rapid; Faulkland and Jeremy
Diddler: he played Carlos in the "Revenge," and created the Hon. Tom
Shuffleton in "John Bull;" acted Posthumus, and originated Vapid;
began his course of original parts with Witmore, in Dr. Kenrick's
"Duellist;" and ended them with Modern, in Reynolds's "Begone Dull
Care"--both of which plays were failures.
In Morton and Reynolds's comedies, his breathless and restless style
told well; but Lewis's reputation is connected with the authors of
an older period. His Copper Captain was a masterpiece; and Cooke
recorded of him, that during the last thirty years of his life, he
was "the unrivalled favourite of the comic muse, in all that was
frolic, gay, humorous, whimsical, eccentric, and at the same time
elegant." During twenty-one years he was manager of Covent Garden;
and the same writer testifies that Lewis was "a model for making
every one do his duty, by kindness and good treatment." As early
as 1802 he had been warned by an epileptic fit, while rehearsing
Sapling, in Reynolds's "Delays and Blunders;" but he recovered,
played two years longer, and in less than two years more died,
leaving a handsome fortune to his wife, children, and other members
of his family.
[Illustration: (William Lewis)]
Public-domain text, read in full here on John Shaqi.
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