Covent Garden opened at increased prices for admission on the 18th of September. No new piece deserving of record was produced throughout the season. 1810-11. The Drury Lane Company played at the Lyceum, but without bringing forward any piece of particular merit. The same may be said of Covent Garden, where, however, the season was rendered memorable and profitable by the run of "Blue Beard" and "Timour the Tartar," with horses. Before these Shakspeare, and all other of the tuneful brethren, gave way. 1811-12. The Drury Lane Company were still at the Lyceum, where they produced Moore's "M.P.," the more successful "Devil's Bridge," by Arnold, with Braham as Count Belino, and Mrs. Dickens as the Countess Rosalvina.[98] The greatest success was with a piece called "Quadrupeds," altered from the "Tailors, or a Tragedy for Warm Weather," and intended to ridicule the equestrian performances at Covent Garden. The corresponding season at Covent Garden saw no new piece which is now remembered; but it is remarkable as the one in which an elephant made its first appearance as an actor--after which Mrs. Siddons withdrew, but not on that account, from the stage. 1812-13.--_Drury Lane._ The season opened on the 10th of October 1812, in the present house, built by Wyatt. Mr. Whitbread and a committee erected the house, and purchased the old patent rights, by means of a subscription of £400,000. Of this, £20,000 was paid to Sheridan, and a like sum to the other holders of the patent. The creditors of the old house took a quarter of what they claimed, in full payment; and the Duke of Bedford abandoned a claim of £12,000. With the remainder of the sum subscribed, the house was established--Elliston, Dowton, Bannister, Rae, Wallack, Wewitzer, Miss Smith, Mrs. Davison, Mrs. Glover, Miss Kelly, and Miss Mellon, leading. Except Coleridge's "Remorse," which was acted about a score of times, they brought out no new piece.[99] Covent Garden was equally unproductive, its most profitable drama being "Aladdin, or the Wonderful Lamp" (Aladdin, Mrs. C. Kemble; Kazrac, Grimaldi). In the next season, as in this, Covent Garden had a stronger company, with John and Charles Kemble, Conway, Terry, Mathews,[100] and a troop of vocalists, than Drury Lane possessed. At the latter house, neither new pieces nor new players succeeded, till, on the 20th of January 1814, the playbills announced the first appearance of an actor from Exeter--whose coming changed the evil fortunes of the house, scared the old, correct, dignified, and classical school of actors, and brought back to the memories of those who could look back as far as Garrick the fire, nature, impulse, and terrible earnestness--all, in short, but the versatility of that great master in his art. While Kean is dressing for Shylock, I will briefly notice a few incidents connected with both sides of the curtain, and which chiefly belong to that part of the century when he was not yet known in London. FOOTNOTES: