"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
They loved, slaved, and starved. The misery of their lives is
unparelleled, except by the heroic uncomplainingness with which
it was endured by Mrs. Kean. _His_ industry was really intense;
his study of every character he had to play careful, earnest,
conscientious; and after acting with as much anxiety as if he had
been performing before a jury of critics, he would return to his
miserable home, saddened, furious, and unsober. "I played the part
finely; and yet they did not applaud me!"
Gleams of good fortune occasionally lit up their path. An engagement
at Birmingham, at a guinea a week to each, was comparative wealth
to them; and there Kean found the applause for which he sighed. His
Octavian was preferred to Elliston's; and Stephen Kemble told him
that his Hotspur and Henry IV. were superior to those of his brother,
John Kemble. Kean thought of London. "If I could only get there, and
succeed! If I _succeed_, I shall go mad!"
There was much to be suffered by Kean and his wife before that
triumph came. For lack of means, they have to walk from Birmingham
to Swansea. Two hundred miles, and that poor lady may be a mother
before she accomplishes half of them! They wend painfully on, pale,
hungry, and silent; twelve miles a day; not asking alms, but not
above receiving that hospitality of the poor which is true, because
self-denying, charity. Needing many things, and obtaining none of
those she most needed, Mrs. Kean reached Bristol more dead than
alive. A cast in a boat, more weary suffering, a son born, and an
audience at Swansea who preferred Bengough, an elephantine simpleton,
with large unmeaning eyes, to Edmund--tells the outline of his tale
before they crossed from Wales to Waterford.
Soon in this troop, under Cherry, at Waterford, there were two men,
destined to be at the very head of their respective vocations, as
player and dramatic poet--Edmund Kean and Sheridan Knowles. At
present they are only strolling players. The training of the two men
had been totally different. Kean was "Nobody's Son," and had passed
through the misery, degradation, and blackguardism attendant on such
a parentage--his genius not slumbering, but ready to flash, like the
diamond, when light and opportunity should present themselves.
Public-domain text, read in full here on John Shaqi.
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