"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Perdita was not idle; she wrote poems and novels; the former, tender
in sentiment and expression; the latter, not without power and good
sense. She had undertaken to supply the _Morning Post_ with poetry,
when she died, after cruel suffering, in the last year of the last
century (1800); and she herself the last of the pupils of David
Garrick.
There was good in this hapless creature. Throughout life she was the
loving and helping child of her mother; the loving and helping mother
of her child, for both of whom she laboured ungrudgingly to the last.
Hannah More, herself, would not harshly construe the conduct of her
pupil. "I make the greatest allowance for inexperience and novel
passions," was the comment of Horace Walpole. "Poor Perdita!" said
Mrs. Siddons, "I pity her from my very heart!"
She fell into bad hands--beginning with those of her father. In her
husband's she was still less cared for, though she spent nearly a
year with him in a sponging-house, to leave which she was importuned
by worthless peers and equally worthless commoners--from ancient
dukes down to young city merchants. There was a public admiration
for her which scarcely any other actress so practically experienced.
Thus, on the night in 1776, when the "Trip to Scarborough" was
undergoing temporary but loud condemnation, Mrs. Yates, yielding to
the storm, suddenly withdrew, and left Mrs. Robinson, as Amanda,
standing alone on the stage, where she was so bewildered by the
continued hissing, that the Duke of Cumberland stood up in his box,
requested her not to be alarmed, and cheered her by calling out, "It
is not you, but the piece, they are hissing."
She gave rather the promise than the actuality of a fine actress; she
had good taste, and manifested it in an attention to costume, when
propriety therein was not much cared for. She describes the outward
presentment of her Statira ("Alexander the Great"), by saying, "My
dress was white and blue, made after the Persian costume; and, though
it was then singular on the stage, I wore neither a hoop nor powder.
My feet were bound with sandals, richly ornamented; and the whole
dress was picturesque and characteristic."
Public-domain text, read in full here on John Shaqi.
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