Their windows, as they saw in the morning, looked into a large square of aristocratic physiognomy, and of a Parisian effect in architecture, which afterwards proved characteristic of the town, if not quite so characteristic as to justify the passion of Leipsic for calling itself Little Paris. The prevailing tone was of a gray tending to the pale yellow of the Tauchnitz editions with which the place is more familiarly associated in the minds of English-speaking travellers. It was rather more sombre than it might have been if the weather had been fair; but a quiet rain was falling dreamily that morning, and the square was provided with a fountain which continued to dribble in the rare moments when the rain forgot itself. The place was better shaded than need be in that sunless land by the German elms that look like ours and it was sufficiently stocked with German statues, that look like no others. It had a monument, too, of the sort with which German art has everywhere disfigured the kindly fatherland since the war with France. These monuments, though they are so very ugly, have a sort of pathos as records of the only war in which Germany unaided has triumphed against a foreign foe, but they are as tiresome as all such memorial pomps must be. It is not for the victories of a people that any other people can care. The wars come and go in blood and tears; but whether they are bad wars, or what are comically called good wars, they are of one effect in death and sorrow, and their fame is an offence to all men not concerned in them, till time has softened it to a memory "Of old, unhappy, far-off things, And battles long ago."