The Rathhaus is a salad-dressing of German gothic and French rococo as to its architectural style, and is charming in its way, but the Marches were in the market-place for the sake of that moment of Heine's boyhood. They felt that he might have been the boy who stopped as he ran before them, and smacked the stomach of a large pumpkin lying at the feet of an old market-woman, and then dashed away before she could frame a protest against the indignity. From this incident they philosophized that the boys of Dusseldorf are as mischievous at the end of the century as they were at the beginning; and they felt the fascination that such a bounteous, unkempt old marketplace must have for the boys of any period. There were magnificent vegetables of all sorts in it, and if the fruits were meagre that was the fault of the rainy summer, perhaps. The market-place was very dirty, and so was the narrow street leading down from it to the Rhine, which ran swift as a mountain torrent along a slatternly quay. A bridge of boats crossing the stream shook in the rapid current, and a long procession of market carts passed slowly over, while a cluster of scows waited in picturesque patience for the draw to open. They saw what a beautiful town that was for a boy to grow up in, and how many privileges it offered, how many dangers, how many chances for hairbreadth escapes. They chose that Heine must often have rushed shrieking joyfully down that foul alley to the Rhine with other boys; and they easily found a leaf-strewn stretch of the sluggish Dussel, in the Public Garden, where his playmate, the little Wilhelm, lost his life and saved the kitten's. They were not so sure of the avenue through which the poet saw the Emperor Napoleon come riding on his small white horse when he took possession of the Elector's dominions. But if it was that where the statue of the Kaiser Wilhelm I. comes riding on a horse led by two Victories, both poet and hero are avenged there on the accomplished fact. Defeated and humiliated France triumphs in the badness of that foolish denkmal (one of the worst in all denkmal-ridden Germany), and the memory of the singer whom the Hohenzollern family pride forbids honor in his native place, is immortal in its presence.