There is another objection which, although in itself unworthy of answer, has been urged so often and presented in so many forms, some of which are rhetorically impressive, that it cannot be wholly passed over. The design argument has been censured as "assuming that the genesis of the heavens and the earth was effected somewhat after the manner in which a workman shapes a piece of furniture"--as "converting the Power whose garment is seen in the visible universe into an Artificer, fashioned after the human model, and acting as man is seen to act"--as "transforming the First Cause into a magnified mechanist who constructs a work of art, and then sits apart from it and observes how it goes," &c. Now the heavens and the earth are to such a wonderful extent exemplifications both of mechanical laws and æsthetic principles, that no man of sense, I think, will deny that they may most justly be compared to machines or works of art, or even pronounced to be machines and works of art. They are that, although they are more than that. An animal is a machine, although an organism too. Every organism is a machine, although every machine is not an organism. Art and nature are not antagonistic and exclusive. Man and all man's arts are included in nature, and nature is the highest art. While, however, it is legitimate and even necessary to illustrate the design argument by references to human inventions, the numerous and immense differences between the works of man's art and the processes of nature must not be overlooked; and there is no excuse for saying that they have been overlooked. It is precisely because the universe is so above anything man has made or can make, and because vegetable and animal organisms are so different from watches and statues, that the argument in question leads us to a divine and not to a merely human intelligence. It implies that both the works of God and the works of man are products of intelligence; but it does not require that they should have anything else in common. It recognises that the most elaborate and exquisite contrivances of man fall immeasurably below "nature's most minute designs." So far from requiring, it forbids our carrying any of the limitations or peculiarities of human contrivance over to that which is divine. Besides, the belief in design is held in conjunction with the belief in creation out of nothing. The same persons who recognise that there is a divine wisdom displayed in the constitution and course of nature believe the universe to have been called into being by the mere volition of the Almighty. But among all theories of the genesis of the heavens and the earth, that is the only one which does not represent the First Cause as working like a man. Man never creates--he cannot create. To produce anything he must have something to work on--he must have materials to mould and modify.[31] [31] See Appendix XXII. II.