inconceivable cause. Besides, how could matter of itself produce order, even if it were self-existent and eternal? It is far more unreasonable to believe that the atoms or constituents of matter produced of themselves, without the action of a Supreme Mind, this wonderful universe, than that the letters of the English alphabet produced the plays of Shakespeare, without the slightest assistance from the human mind known by that famous name. These atoms might, perhaps, now and then, here and there, at great distances and long intervals, produce, by a chance contact, some curious collocation or compound; but never could they produce order or organisation, on an extensive scale or of a durable character, unless ordered, arranged, and adjusted in ways of which intelligence alone can be the ultimate explanation. To believe that their fortuitous and undirected movements could originate the universe, and all the harmonies and utilities and beauties which abound in it, evinces a credulity far more extravagant than has ever been displayed by the most superstitious of religionists. Yet no consistent materialist can refuse to accept this colossal chance-hypothesis. All the explanations of the order of the universe which materialists, from Democritus and Epicurus to Diderot and Lange, have devised, rest on the assumption that the elements of matter, being eternal, must pass through infinite combinations, and that one of these must be our present world--a special collocation among the countless millions of collocations, past and future. Throw the letters of the Greek alphabet, it has been said, an infinite number of times, and you must produce the Iliad and all Greek books. The theory of probabilities, I need hardly say, requires us to believe nothing so absurd. Throw letters together without thought through all eternity, and you will never make them express thought. All the letters in the Iliad might have been tossed and jumbled together from morning to night by the hands of the whole human race, from the beginning of the world until now, and the first line of the Iliad would have been still to compose, had not the genius of Homer been inspired to sing the wrath of Achilles and the war around Troy. But what is the Iliad to the hymn of creation, and the drama of providence? Were these glorious works composed by the mere jumbling together of atoms, which were not even prepared beforehand to form things, as letters are to form words, and which had to shake themselves into order without the help of any hand? They may believe that who can. It seems to me that it ought to be much easier to believe all the Arabian Nights.